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Playbill Example PDF: Your Ultimate Guide to Designing Stunning Theatre Programs
Are you putting together a theatrical production and need a visually appealing and informative playbill? Finding the perfect template can be tricky, but you’ve come to the right place! This comprehensive guide provides everything you need to know about playbills, including where to find playbill example PDFs, key design elements, and how to create a professional-looking program that enhances your audience experience. We'll explore various styles and formats, offering practical advice and downloadable resources to help you craft a playbill that perfectly complements your show.
What is a Playbill, and Why is a PDF Example Useful?
A playbill, or theatre program, is more than just a list of cast and crew. It's a crucial marketing tool, a keepsake for your audience, and a reflection of your production's overall aesthetic. A well-designed playbill sets the tone, builds excitement, and even provides additional information about the show, its creators, and the theatre company.
A playbill example PDF serves as an invaluable resource because:
Inspiration: It showcases different design styles, layouts, and information inclusions, sparking creativity and offering tangible examples.
Template Base: You can adapt a PDF example to fit your own production's needs, saving you time and design effort.
Format Understanding: Seeing a well-structured PDF helps you understand the essential elements and their placement within the playbill.
Professionalism: Using a pre-designed template ensures a professional look, even if you lack graphic design expertise.
Essential Elements of a High-Converting Playbill
A successful playbill balances aesthetics with practicality. Here's a breakdown of essential elements:
1. Show Title and Artwork: The title should be prominently displayed, using a font that reflects the show's tone (bold and dramatic for a thriller, elegant for a period piece). High-quality artwork – a captivating photo, illustration, or graphic design – is crucial to attract attention.
2. Synopsis and Creative Team: A brief, engaging synopsis will pique audience interest. Clearly list the director, playwright, actors, and other key creative personnel involved in the production.
3. Cast and Crew Listing: This section should accurately list the actors and their roles, alongside the names and titles of all behind-the-scenes personnel. Consider using a visually appealing layout, potentially grouping individuals by department (e.g., stage management, costume design).
4. Sponsor and Partner Acknowledgements: If your production has sponsors or partners, prominently feature their logos and acknowledge their support. This is valuable for building relationships and securing future funding.
5. Theatre Information and Contact Details: Provide clear contact details for the theatre, including address, website, phone number, and social media links. Include information about future productions or special events.
6. Ticket Information (if applicable): If tickets are still available, include information on how to purchase them.
7. Date and Time of Performance: This crucial information should be clearly visible and easily accessible.
8. Legal Information (Copyright, etc.): Include necessary copyright notices and any legal information pertaining to the production.
9. High-Quality Printing Considerations: While using a PDF example helps with design, remember the final product needs to be professionally printed. Choose high-quality paper and printing techniques to enhance the overall visual appeal and feel of the playbill.
Finding and Utilizing Playbill Example PDFs
While readily available online playbill example PDFs are scarce, many graphic design websites offer templates that can be adapted. You can search for terms like "theatre program template," "playbill template," or "show program template" on sites like Canva, Adobe Express, or similar platforms. Remember to always check the license agreement for usage rights. Many free templates may have limitations on commercial use.
Sample Playbill Outline: "A Midsummer Night's Dream"
Title: A Midsummer Night's Dream - Playbill
I. Introduction:
Brief description of Shakespeare's A Midsummer Night's Dream and its enduring appeal.
Theatre company logo and contact information.
II. Main Chapters:
Show Synopsis: A concise summary of the plot, highlighting key themes and characters.
Cast & Crew: A detailed list of actors, their roles, and the creative team (director, set designer, costume designer, etc.). Include headshots if possible.
Sponsors & Partners: List and visually represent any sponsors or partners involved in the production.
Performance Information: Date, time, location, ticket information, and website.
III. Conclusion:
Thank you to the audience, sponsors, and the cast & crew.
Information about upcoming productions by the theatre company.
Explanation of Outline Points
Each section in the outline needs detailed crafting to create a compelling playbill.
Introduction: Start with a captivating hook—a quote from the play, a striking image, or a brief, engaging sentence. This immediately establishes the playbill's tone and theme.
Show Synopsis: Avoid giving away the ending! Focus on the central conflict, the main characters, and what makes the story unique. Consider using evocative language that matches the play's style.
Cast & Crew: Ensure accuracy in names and roles. If space allows, include brief biographies or interesting facts about the cast members. The inclusion of headshots dramatically enhances the visual appeal.
Sponsors & Partners: Acknowledge sponsors with clear visibility – use their logos and if space permits a short phrase expressing gratitude.
Performance Information: Ensure that all details are readily accessible. Make the contact information, ticket purchase details, and date/time prominent.
Conclusion: This section provides an opportunity to leave a lasting impression. A thank you message to audience members shows appreciation.
Nine FAQs about Playbill Design and Creation
1. Q: Where can I find free playbill templates? A: Many online graphic design platforms offer free templates; however, check their terms of service for commercial use restrictions.
2. Q: What kind of paper is best for printing playbills? A: High-quality, thick paper (at least 80 lb) creates a more professional and durable product.
3. Q: What's the ideal size for a playbill? A: Standard sizes vary, but a common size is tri-fold (8.5" x 11").
4. Q: How many photos should I include in my playbill? A: Aim for a balance—too many photos can clutter the design; too few may lack visual appeal.
5. Q: Should I include a QR code? A: QR codes can direct the audience to your website, social media, or a feedback survey; strategically place it for easy scanning.
6. Q: What font should I use? A: Use legible fonts; avoid overly decorative fonts that may be difficult to read.
7. Q: How do I handle color schemes? A: The colors should complement your production's theme and branding.
8. Q: How much should I charge for a professionally designed playbill? A: Pricing varies depending on complexity, but expect to pay more for professional graphic design services.
9. Q: Can I create a playbill using Microsoft Word? A: While possible, dedicated design software (Canva, Adobe InDesign) provides better design control and professional results.
Related Articles:
1. Designing Engaging Theatre Posters: Explores best practices for creating eye-catching posters to promote your show.
2. Effective Theatre Marketing Strategies: Offers diverse approaches to promote your productions and sell tickets.
3. Creating a Compelling Show Program Website: Details the importance of an online presence to support your playbill.
4. Affordable Printing Options for Theatre Programs: Compares cost-effective printing solutions for playbills.
5. Legal Considerations for Theatre Productions: Covers copyright issues, licensing agreements and other legal aspects.
6. How to Write a Catchy Show Synopsis: Provides tips on crafting concise and compelling show descriptions.
7. Building Brand Consistency Across Your Theatre Materials: Explains how your playbill should align with your overall branding.
8. Top Ten Fonts for Theatrical Designs: Presents a curated list of fonts suitable for theatre programs.
9. The Importance of High-Quality Photography in Theatre Marketing: Details why professional photos matter for playbills and marketing.
| playbill example pdf: Newsies Harvey Fierstein Alan, 2015-07-26 |
| playbill example pdf: The Cambridge Companion to English Melodrama Carolyn Williams, 2018-10-04 A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today. |
| playbill example pdf: Come from Away Genevieve Graham, 2018-04-24 From the bestselling author of Tides of Honour and Promises to Keep comes a poignant novel about a young couple caught on opposite sides of the Second World War. In the fall of 1939, Grace Baker’s three brothers, sharp and proud in their uniforms, board Canadian ships headed for a faraway war. Grace stays behind, tending to the homefront and the general store that helps keep her small Nova Scotian community running. The war, everyone says, will be over before it starts. But three years later, the fighting rages on and rumours swirl about “wolf packs” of German U-Boats lurking in the deep waters along the shores of East Jeddore, a stone’s throw from Grace’s window. As the harsh realities of war come closer to home, Grace buries herself in her work at the store. Then, one day, a handsome stranger ventures into the store. He claims to be a trapper come from away, and as Grace gets to know him, she becomes enamoured by his gentle smile and thoughtful ways. But after several weeks, she discovers that Rudi, her mysterious visitor, is not the lonely outsider he appears to be. He is someone else entirely—someone not to be trusted. When a shocking truth about her family forces Grace to question everything she has so strongly believed, she realizes that she and Rudi have more in common than she had thought. And if Grace is to have a chance at love, she must not only choose a side, but take a stand. Come from Away is a mesmerizing story of love, shifting allegiances, and second chances, set against the tumultuous years of the Second World War. |
| playbill example pdf: Pacific Overtures Stephen Sondheim, John Weidman, 1991 Priceless and peerless...a thrilling work of theatricality. --Wayman Wong, San Francisco Examiner For over three decades, Stephen Sondheim has been the foremost composer and lyricist writing regularly for Broadway. His substantial body of work now stands as one of the most sustained achievements of the American stage. Pacific Overtures, originally produced in 1976, combines an unsurpassed mastery of the American musical with such arts as Kabuki theatre, haiku, dance, and masks to recount Commander Matthew Perry's 1835 opening of Japan and its consequences right up to the present. This new edition of Pacific Overtures incorporates substantial revisions made by the authors for the successful 1984 revival. |
| playbill example pdf: All in the Timing David Ives, 2010-11-10 The world according to David Ives is a very add place, and his plays constitute a virtual stress test of the English language -- and of the audience's capacity for disorientation and delight. Ives's characters plunge into black holes called Philadelphias, where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which hello translates as velcro and fraud comes out as freud. At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes Sure Thing, Words, Words, Words, The Universal Language, Variations on the Death of Trotsky, The Philadelphia, Long Ago and Far Away, Foreplay, or The Art of the Fugue, Seven Menus, Mere Mortals, English Made Simple, A Singular Kinda Guy, Speed-the-Play, Ancient History, and Philip Glass Buys a Loaf of Bread. |
| playbill example pdf: The Philadelphia Story Philip Barry, 1942 Twenty-four hours in the life of a Philadelphia belle, during which she discards an about-to-be second husband to remarry her first mate. |
| playbill example pdf: A Free Man of Color John Guare, 2011-10-04 John Guare’s new play is astonishing, raucous and panoramic. A Free Man of Color is set in boisterous New Orleans prior to the historic Louisiana Purchase. Before law and order took hold, and class, racial and political lines were drawn, New Orleans was a carnival of beautiful women, flowing wine and pleasure for the taking. At the center of this Dionysian world is the mulatto Jacques Cornet, who commands men, seduces women and preens like a peacock. But, it is 1801 and the map of New Orleans is about to be redrawn. The Louisiana Purchase brings American rule and racial segregation to the chaotic, colorful world of Jacques Cornet and all that he represents, turning the tables on freedom and liberty. |
| playbill example pdf: Dementia and the Church Mary McDaniel Cail, 2023-09-19 Mary McDaniel Cail calls upon extensive personal and professional experience to offer insight, context, and concrete guidance for congregations and leaders seeking to better serve the growing percentage of the population that is experiencing life with dementia. Churches have vital roles to play, Cail explains, in showing those living with the difficulties of dementia the soul-quieting God who promises we are engraved, never to be forgotten, on the palms of God's hands. By recognizing and supporting the full humanity of all people, congregations and leaders can help both patients and caregivers live more fulfilling lives. Cail pairs poignant stories with practical advice for developing holistic memory ministry. Dementia and the Church includes lesson plans, advice on programming, and a rich trove of resources in addition to pragmatic information about dementia. A gifted storyteller, Cail crafts her prose with care and intention. Readers will develop informed compassion, learning how to accept, pray with, relieve, and comfort all who cope with these increasingly common challenges - including themselves. |
| playbill example pdf: The Drama of Celebrity Sharon Marcus, 2020-08-11 Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the divine Sarah Bernhardt (1844-1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era's most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel. Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times. |
| playbill example pdf: Annie Charles Strouse, 1976 |
| playbill example pdf: Rent Jonathan Larson, 2008 (Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is no day but today. Includes 16 color photographs of productions of Rent from around the world, plus an introduction (Rent Is Real) by Victoria Leacock Hoffman. |
| playbill example pdf: Dirty Rotten Scoundrels (Songbook) , 2006-01-01 (Vocal Selections). 16 vocal selections from the wickedly funny Broadway musical with music by David Yazbek. Songs include: Give Them What They Want * Great Big Stuff * Love Is My Legs * Love Sneaks In * Nothing Is Too Wonderful to Be True * What Was a Woman to Do * and more. Includes bio and pages of photos! |
| playbill example pdf: The Vagina Monologues Eve Ensler, 2008 Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name. |
| playbill example pdf: Antonio and Mellida & Antonio's Revenge John Marston, W W 1875-1959 Greg, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| playbill example pdf: Disney Theatrical Productions Amy Osatinski, 2019-02-07 Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation. This book uncovers how DTP has forged a new model for producing large-scale musicals on Broadway by functioning as an independent theatrical producer under the umbrella of a large entertainment corporation. Case studies of three productions (The Lion King, Tarzan, and Newsies) demonstrate the flexibility and ingenuity of DTP, and showcase the various production models that the company has employed over the years. Exploring topics such as the history of DTP, its impact on the revitalization of Times Square, and its ability to open up a new audience base for Broadway theatre, this volume examines the impact that DTP has had on American musicals, both domestically and internationally, and how its accomplishments have helped reshape the Broadway landscape. This book is relevant to students in Musical Theatre, History of Musical Theatre, Theatre History, and Arts Management courses, along with general Disney enthusiasts. |
| playbill example pdf: Just XSL John E. Simpson, 2002 Just XSLis an easy, hands-on tutorial on three related XSL technologies: XPath, XSLT, and XSL-FO. Best-sellingJust XMLauthor John E. Simpson introduces all three through a single, easy-to-follow sample application that demonstrates exactly how they work together in the real world. Breezy and informal,Just XSLis perfect for both developers and content specialists. |
| playbill example pdf: A Moon for the Misbegotten Eugene O'Neill, 2006-01-01 A new, affordable paperback edition of one O’Neill’s late masterpieces Eugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, as Jim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work. |
| playbill example pdf: Straight White Men Young Jean Lee, 2017-09-29 When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man? |
| playbill example pdf: Good People David Lindsay-Abaire, 2012 THE STORY: Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, where this month's paycheck covers last month's bills, and where Margie Walsh has just been let go from yet another job. Facing eviction and |
| playbill example pdf: Lackawanna Blues Ruben Santiago-Hudson, 2022-08 |
| playbill example pdf: The Awesome 80s Prom Ken Davenport, 2009 Conceived and originally directed by Ken Davenport. |
| playbill example pdf: Twelfth-night William Shakespeare, 1892 |
| playbill example pdf: Dark Mirror Barton Gellman, 2020-05-19 From the three-time Pulitzer Prize-winning author of the New York Times bestseller Angler, who unearthed the deepest secrets of Edward Snowden's NSA archive, the first master narrative of the surveillance state that emerged after 9/11 and why it matters, based on scores of hours of conversation with Snowden and groundbreaking reportage in Washington, London, Moscow and Silicon Valley Edward Snowden chose three journalists to tell the stories in his Top Secret trove of NSA documents: Barton Gellman of The Washington Post, Glenn Greenwald of The Guardian and filmmaker Laura Poitras, all of whom would share the Pulitzer Prize for Public Service. Poitras went on to direct the Oscar-winning Citizen Four. Greenwald wrote an instant memoir and cast himself as a pugilist on Snowden's behalf. Barton Gellman took his own path. Snowden and his documents were the beginning, not the end, of a story he had prepared his whole life to tell. More than 20 years as a top investigative journalist armed him with deep sources in national security and high technology. New sources reached out from government and industry, making contact on the same kinds of secret, anonymous channels that Snowden used. Gellman's old reporting notes unlocked new puzzles in the NSA archive. Long days and evenings with Snowden in Moscow revealed a complex character who fit none of the stock images imposed on him by others. Gellman now brings his unique access and storytelling gifts to a true-life spy tale that touches us all. Snowden captured the public imagination but left millions of people unsure what to think. Who is the man, really? How did he beat the world's most advanced surveillance agency at its own game? Is government and corporate spying as bad as he says? Dark Mirror is the master narrative we have waited for, told with authority and an inside view of extraordinary events. Within it is a personal account of the obstacles facing the author, beginning with Gellman's discovery of his own name in the NSA document trove. Google notifies him that a foreign government is trying to compromise his account. A trusted technical adviser finds anomalies on his laptop. Sophisticated impostors approach Gellman with counterfeit documents, attempting to divert or discredit his work. Throughout Dark Mirror, the author describes an escalating battle against unknown digital adversaries, forcing him to mimic their tradecraft in self-defense. Written in the vivid scenes and insights that marked Gellman's bestselling Angler, Dark Mirror is an inside account of the surveillance-industrial revolution and its discontents, fighting back against state and corporate intrusions into our most private spheres. Along the way it tells the story of a government leak unrivaled in drama since All the President's Men. |
| playbill example pdf: The Frantic Assembly Book of Devising Theatre Scott Graham, Steven Hoggett, 2014-07-25 ‘This is a close companion to Frantic Assembly’s practice and one that is written with an open and engaging, even disarming, tone ... A rich, rewarding and compelling text.’ Stuart Andrews, University of Surrey As Frantic Assembly move into their twentieth year of producing innovative and adventurous theatre, this new edition of their well-loved book demystifies the process of devising theatre in an unusually candid way. Artistic directors Scott Graham and Steven Hoggett offer an intimate and invaluable insight into their evolution and success, in the hope that sharing their experiences of devising theatre will encourage and inspire students and fellow practitioners. The Frantic Assembly Book of Devising Theatre is a uniquely personal account of the history and practice of this remarkable company, and includes: · practical exercises · essays on devising, writing and choreography · suggestions for scene development · a 16-page colour section, and illustrations throughout · a companion website featuring clips of rehearsals and performances. This is an accessible, educational and indispensable introduction to the working processes of Frantic Assembly, whose playful, intelligent and dynamic productions continue to be acclaimed by audiences and critics alike. |
| playbill example pdf: Without Apology Shannon Stettner, 2016-08-26 Until the late 1960s, the authorities on abortion were for the most part men—politicians, clergy, lawyers, physicians, all of whom had an interest in regulating women’s bodies. Even today, when we hear women speak publicly about abortion, the voices are usually those of the leaders of women’s and abortion rights organizations, women who hold political office, and, on occasion, female physicians. We also hear quite frequently from spokeswomen for anti-abortion groups. Rarely, however, do we hear the voices of ordinary women—women whose lives have been in some way touched by abortion. Their thoughts typically owe more to human circumstance than to ideology, and without them, we run the risk of thinking and talking about the issue of abortion only in the abstract. Without Apology seeks to address this issue by gathering the voices of activists, feminists, and scholars as well as abortion providers and clinic support staff alongside the stories of women whose experience with abortion is more personal. With the particular aim of moving beyond the polarizing rhetoric that has characterized the issue of abortion and reproductive justice for so long, Without Apology is an engrossing and arresting account that will promote both reflection and discussion. |
| playbill example pdf: Sweet Charity (Songbook) , 2007-12-01 (Vocal Selections). Sweet Charity , based on Federico Fellini's screenplay for Nights of Cabiria , was directed and choreographed by Bob Fosse, with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon. It opened on Broadway January 29, 1966, and was nominated for 12 Tony Awards. It's since gone on to many more performances around the world including multiple Broadway revivals. Our folio features 14 of its songs, including: Baby Dream Your Dream * Big Spender * A Good Impression * I Love to Cry at Weddings * If My Friends Could See Me Now * Sweet Charity * There's Gotta Be Something Better Than This * Too Many Tomorrows * Where Am I Going * You Should See Yourself * and more. |
| playbill example pdf: Twentieth Century Actor Training Alison Hodge, 2000 THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike. |
| playbill example pdf: Caroline, or Change Tony Kushner, 2004-09-01 “Caroline is a breakthrough—a story so grounded in the ordinary details of life that it almost seems to have discovered a new genre.” –Richard Zoglin, Time “Acute, smart and witty: a telling snapshot focusing with sharp clarity on characters captured at a fraught turning point in history—a culture’s and a family’s.” –Charles Isherwood, Variety “Thrilling. You’ve never seen anything quite like Caroline, or Change and likely won’t again anytime soon. There’s never a moment that the part-pop, part-opera, part-musical-theater score Jeanine Tesori has conjured up doesn’t ideally match Tony Kushner’s meticulously chosen words with clarion precision.” –Matthew Murray, talkinbroadway.com “A monumental achievement in American musical theater. Joyful, wholly successful, immensely moving, told with abundant wit and generosity of heart.” –John Helipern, New York Observer Louisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship after Noah's stepmother, unable to give Caroline a raise, tells Caroline that she may keep the money Noah leaves in his pockets. Through their intimate story, this beautiful musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s. |
| playbill example pdf: Wonder of the World David Lindsay-Abaire, 2003 THE STORY: Nothing will prepare you for the dirty little secret Cass discovers in her husband's sweater drawer. It is so shocking that our heroine has no choice but to flee to the honeymoon capital of the world in a frantic search for the life she |
| playbill example pdf: Julius Caesar William Shakespeare, 2010-02-12 What actions are justified when the fate of a nation hangs in the balance, and who can see the best path ahead? Julius Caesar has led Rome successfully in the war against Pompey and returns celebrated and beloved by the people. Yet in the senate fears intensify that his power may become supreme and threaten the welfare of the republic. A plot for his murder is hatched by Caius Cassius who persuades Marcus Brutus to support him. Though Brutus has doubts, he joins Cassius and helps organize a group of conspirators that assassinate Caesar on the Ides of March. But, what is the cost to a nation now erupting into civil war? A fascinating study of political power, the consequences of actions, the meaning of loyalty and the false motives that guide the actions of men, Julius Caesar is action packed theater at its finest. |
| playbill example pdf: Designing Your Life Bill Burnett, Dave Evans, 2016-09-20 #1 NEW YORK TIMES BEST SELLER • At last, a book that shows you how to build—design—a life you can thrive in, at any age or stage • “Life has questions. They have answers.” —The New York Times Designers create worlds and solve problems using design thinking. Look around your office or home—at the tablet or smartphone you may be holding or the chair you are sitting in. Everything in our lives was designed by someone. And every design starts with a problem that a designer or team of designers seeks to solve. In this book, Bill Burnett and Dave Evans show us how design thinking can help us create a life that is both meaningful and fulfilling, regardless of who or where we are, what we do or have done for a living, or how young or old we are. The same design thinking responsible for amazing technology, products, and spaces can be used to design and build your career and your life, a life of fulfillment and joy, constantly creative and productive, one that always holds the possibility of surprise. |
| playbill example pdf: The Pillowman Martin McDonagh, 2003 The Pillowman centers on a writer in an unnamed totalitarian state who is being interrogated about the gruesome content of his short stories and their similarities to a series of child murders. The result is an urgent work of theatrical bravura and an unflinching examination of the very nature and purpose of art. -- Publisher's website. |
| playbill example pdf: Seesaw Cy Coleman, Dorothy Fields, Michael Bennett, 1975 Musical Music by Cy Coleman Lyrics by Dorothy Fields. Book by Michael Bennett Based on the play Two for the Seesaw by William Gibson. Characters: 4 male, 4 female, mixed chorus From the composing team of Sweet Charity, Seesaw is an intimate, engaging love story and a big, brassy musical comedy rolled into one delightful evening of theatre.Jerry Ryan, a handsome WASPish lawyer from Omaha who has left his wife and fled to New York meets Gittel Mosca, a single, loveable Jewish girl from the Bronx who's studying to be a dancer. This unlikely pair meet, fall in love, and part in a bittersweet tale that is full of fun, music and laughter through tears. Sparkling musical numbers capture the excitement of New York street life and the up and down seesaw of Gittel and Jerry's affair. A love of a show.-The New York Times |
| playbill example pdf: The Cambridge Introduction to Theatre Studies Christopher B. Balme, 2008-09-18 This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance. |
| playbill example pdf: Becoming Audible Austin McQuinn, 2020-12-22 Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural. To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates “through the labyrinths of the cultural and the creatural,” not only across species but also beyond the limits of the human. Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying. |
| playbill example pdf: Avenue Q - Vocal Selections/Libretto Pack Jeff Whitty, 2011-12 (Ingram Books). 2004 Tony Award winner for Best Musical, Best Original Score and Best Book of a Musical! Playbill.com describes Avenue Q, a decidedly adult puppet/human show, as a meeting of Sesame Street and South Park . Our deluxe songbook features all 20 songs in standard piano/vocal format (melody in the piano part), more than 20 fabulous full-color photos from the production, and a bio of the writing team of Robert Lopez and Jeff Marx, who've scored big with their first Broadway show! Tunes include: The Avenue Q Theme * Fantasies Come True * I Wish I Could Go Back to College * I'm Not Wearing Underwear Today * If You Were Gay * The Internet Is for Porn * It Sucks to Be Me * Mix Tape * The Money Song * Purpose * There Is Life Outside Your Apartment * What Do You Do with a B.A. in English * and more. PARENTAL ADVISORY: EXPLICIT LYRICS. The Libretto includes the complete book and lyrics from the musical with additional color photos from the Broadway performance. |
| playbill example pdf: Shaping Things Bruce Sterling, 2005 A guide to the next great wave of technology -- an era of objects so programmable that they can be regarded as material instantiations of an immaterial system. |
| playbill example pdf: Penny Plain Ronnie Burkett, 2012 A strange, spellbinding new play. Humanity is facing extinction, and Penny Plain, elderly and blind, can only sit and wait. |
| playbill example pdf: Online Statistics Education David M Lane, 2014-12-02 Online Statistics: An Interactive Multimedia Course of Study is a resource for learning and teaching introductory statistics. It contains material presented in textbook format and as video presentations. This resource features interactive demonstrations and simulations, case studies, and an analysis lab.This print edition of the public domain textbook gives the student an opportunity to own a physical copy to help enhance their educational experience. This part I features the book Front Matter, Chapters 1-10, and the full Glossary. Chapters Include:: I. Introduction, II. Graphing Distributions, III. Summarizing Distributions, IV. Describing Bivariate Data, V. Probability, VI. Research Design, VII. Normal Distributions, VIII. Advanced Graphs, IX. Sampling Distributions, and X. Estimation. Online Statistics Education: A Multimedia Course of Study (http: //onlinestatbook.com/). Project Leader: David M. Lane, Rice University. |
| playbill example pdf: Business Communication Kitty O. Locker, Stephen Kyo Kaczmarek, 2006-06-01 This work presents a unique approach to a hands-on business communication course. The modular structure allows teachers to focus on specific skills and provides greater flexibility for short courses and different teaching approaches. |
