Bishop Questions Of Travel

Bishop Questions of Travel: A Comprehensive Guide for Diocesan Leaders

Introduction:

Are you a bishop planning a diocesan trip? Navigating the complexities of travel while maintaining your pastoral responsibilities and adhering to canonical regulations can feel daunting. This comprehensive guide addresses the essential questions bishops often face when organizing and undertaking travel, offering practical advice and considerations to ensure a successful and spiritually enriching journey. We'll delve into logistical planning, pastoral care, ethical considerations, and even potential pitfalls to avoid, providing you with a roadmap for seamless and impactful diocesan travel. This isn't just about booking flights and hotels; it's about maximizing the effectiveness of your ministry on the road.


I. Planning Your Diocesan Trip: Logistics and Preparation

Before embarking on any journey, meticulous planning is crucial. This involves identifying the purpose of your trip – is it for pastoral visits, attending conferences, addressing specific diocesan needs, or a combination thereof? Once the purpose is clearly defined, you can create a detailed itinerary. Consider:

Destinations: Clearly define the locations you'll be visiting and the rationale behind each stop. Prioritize efficiency while ensuring adequate time for meaningful engagements.
Duration: Determine the optimal length of stay at each location, balancing the needs of your ministry with the demands of travel.
Transportation: Explore various transportation options, considering cost, time efficiency, and accessibility. Will you fly, drive, or utilize other modes of transport? Factor in potential delays and alternative plans.
Accommodation: Secure appropriate and safe accommodations that align with your needs and those of any accompanying personnel.
Budget: Develop a realistic budget, accounting for all expenses, including travel, accommodation, meals, and any associated costs. Transparency and accountability are paramount.
Team and Support: Identify individuals who will assist with planning and execution, ensuring effective delegation of tasks. This may include your administrative staff, personal assistants, or even members of your clergy.

II. Pastoral Considerations During Diocesan Travel

While the logistical aspects are vital, the spiritual dimension of your travel must remain paramount. Effective diocesan leadership requires attentiveness to the pastoral needs of both the people you’re visiting and your own well-being.

Maintaining Spiritual Discipline: Plan for regular prayer, reflection, and engagement with sacred texts, ensuring that your own spiritual life remains nourished amidst the demands of travel.
Connecting with Local Clergy and Parishioners: Schedule ample time for meaningful interaction with local clergy and parishioners. Active listening and genuine engagement are vital.
Addressing Specific Pastoral Needs: If your trip addresses specific pastoral challenges or concerns within a particular community, dedicate sufficient time to understanding the issues and offering support.
Balancing Public Appearances with Private Reflection: Find a healthy balance between public engagements and moments of quiet reflection and prayer to avoid burnout.


III. Ethical Considerations and Canonical Regulations

Bishops are subject to both ethical considerations and specific canonical regulations regarding their travel. Transparency, accountability, and the avoidance of potential conflicts of interest are paramount.

Transparency of Funding: Maintain clear and transparent records of all funding sources for your diocesan travel, ensuring accountability to your diocese.
Conflict of Interest: Avoid any situation that might create a conflict of interest, ensuring that your travel decisions are driven solely by pastoral needs and not personal gain.
Canon Law Compliance: Ensure that your travel plans comply with all relevant canonical regulations pertaining to bishops’ responsibilities and conduct. Consult your diocesan chancellor or legal counsel if needed.
Appropriate Conduct: Maintain the highest standards of conduct throughout your travels, representing the Church with dignity and integrity.


IV. Potential Pitfalls and Strategies for Mitigation

Even with meticulous planning, unforeseen challenges can arise. Anticipating potential problems and developing contingency plans is crucial for a smooth journey.

Unexpected Delays: Be prepared for flight delays, transportation disruptions, or unforeseen circumstances that may impact your itinerary.
Communication Breakdown: Establish reliable communication channels to stay connected with your diocese and team members throughout your journey.
Health Concerns: Ensure you have access to appropriate healthcare services while traveling and take necessary precautions to safeguard your health.
Security Concerns: Prioritize safety and security during your travels, particularly in unfamiliar locations. Consult with security personnel if necessary.


V. Post-Trip Reflection and Evaluation

After your trip, take time for reflection and evaluation. Analyze the effectiveness of your visit, assess what worked well, and identify areas for improvement in future diocesan travel.


Book Outline: "The Bishop's Travel Guide: A Practical Handbook for Diocesan Leadership"

Introduction: Defining the purpose and scope of the book.
Chapter 1: Pre-Travel Planning: Detailed breakdown of logistical considerations.
Chapter 2: Pastoral Engagement on the Road: Guiding principles for spiritual leadership during travel.
Chapter 3: Ethical and Canonical Considerations: Addressing legal and moral responsibilities.
Chapter 4: Managing Unforeseen Challenges: Strategies for handling unexpected problems.
Chapter 5: Post-Trip Reflection and Reporting: Evaluating the effectiveness of the trip.
Conclusion: Summary and call to action for future diocesan travel.


(Detailed explanation of each chapter would follow here, expanding on the points mentioned in the outline above. This would add significantly to the word count and provide in-depth information for each section. Due to the word limit, this detailed expansion is omitted here.)


FAQs:

1. What is the most important aspect of planning a bishop's travel? Prioritizing the pastoral needs and ensuring compliance with canonical regulations.
2. How can a bishop maintain spiritual discipline while traveling? Scheduling dedicated time for prayer, reflection, and engagement with sacred texts.
3. What ethical considerations are particularly relevant to a bishop's travel? Transparency in funding, avoiding conflicts of interest, and upholding high standards of conduct.
4. How can a bishop prepare for unexpected delays or disruptions during travel? Developing contingency plans and establishing reliable communication channels.
5. What type of support team is recommended for a bishop's travel? A team that includes administrative staff, personal assistants, or members of the clergy.
6. How should a bishop balance public engagements with private reflection during travel? Prioritizing both, creating space for quiet reflection amidst public appearances.
7. What resources are available to bishops for guidance on travel-related canonical regulations? Consult the diocesan chancellor or legal counsel.
8. How can a bishop effectively connect with local clergy and parishioners during a diocesan trip? Through active listening and genuine engagement.
9. What is the most crucial step in post-trip evaluation? Honest self-reflection and identifying areas for improvement in future trips.


Related Articles:

1. Diocesan Pastoral Planning and Implementation: Strategies for effective diocesan leadership.
2. The Role of the Bishop in Contemporary Society: Exploring the challenges and opportunities for bishops today.
3. Effective Communication for Diocesan Leaders: Building strong relationships with clergy and parishioners.
4. Managing Diocesan Finances Responsibly: Ensuring fiscal accountability and transparency.
5. Conflict Resolution in the Diocese: Strategies for resolving disagreements and conflicts within the diocesan community.
6. The Importance of Spiritual Formation for Clergy: Supporting the spiritual growth and well-being of clergy.
7. Canon Law and the Modern Church: Understanding the role of canon law in the governance of the Church.
8. Building Bridges Across Diverse Communities: Creating inclusive and welcoming diocesan environments.
9. The Bishop's Role in Ecumenical Dialogue: Promoting interfaith understanding and collaboration.


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  bishop questions of travel: Questions of Travel Elizabeth Bishop, 2015-01-13 The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading Brazil are grouped eleven poems including Manuelzinho, The Armadillo, Twelfth Morning, or What You Will, The Riverman, Brazil, January 1, 1502 and the title poem. The second section, entitled Elsewhere, includes others First Death in Nova Scotia, Manners, Sandpiper, From Trollope's Journal, and Visits to St. Elizabeths. In addition to the poems there is an extraordinary story of a Nova Scotia childhood, In the Village. Robert Lowell has recently written, I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country.
  bishop questions of travel: Questions of Travel Michelle de Kretser, 2013-05-14 Laura Fraser grows up in Sydney, motherless, with a cold, professional father and an artistic bent. Ravi Mendis lives on the other side of the globe -- exploring the seductive new world of the Internet, his father dead, his mother struggling to get by.Their stories alternate throughout Michelle de Kretser's ravishing novel, culminating in unlikely fates for them both, destinies influenced by travel -- voluntary in her case, enforced in his. With money from an inheritance, Laura sets off to see the world, eventually returning to Sydney to work for a publisher of travel guides. There she meets Ravi, now a Sri Lankan political exile who wants only to see a bit of Australia and make a living. Where do these two disparate characters, and an enthralling array of others, truly belong? With her trademark subtlety, wit, and dazzling prose, Michelle de Kretser shows us that, in the 21st century, they belong wherever they want to and can be -- home or away. It is not really possible to describe, in a short space, the originality and depth of this long and beautifully crafted book. -- A.S. Byatt, The Guardian
  bishop questions of travel: Silke Otto-Knapp Rosemary Heather, Silke Otto-Knapp, 2014 This book is published on occasion of the parallel exhibitions Silke Otto-Knapp presented in two markedly different locations: on Fogo Island, Newfoundland, and at the Kunsthalle Wien Karlsplatz, Vienna. The contrasting influences of place--between rural and urban, new and old world--is evident in the selection of works presented and compiled in this catalogue. The partnering of these exhibitions clearly brings into focus questions about art and its contexts. The tensions between nature and culture provide an appropriate figure for the artwork: a context imagined and devised for the circumstances of its own activation. Questions of Travel includes essays by Susan Morgan and Vanessa Joan Müller and a conversation between Otto-Knapp and Nicolaus Schafhausen. Müller reflects on how the tensions Otto-Knapp's artwork engenders are the substance of its experience, while Morgan approaches the work via three significant influences: the cultural geographer J. B. Jackson; avant-garde dancer Anna Halprin and her husband, the landscape architect Lawrence Halprin; and the poems of Elizabeth Bishop. In the conversation with Schafhausen, Otto-Knapp likens the art exhibition to a theatre situation that is both distinctly separate from reality and engaged with it at the same time. As the activating element of an exhibition, the viewer could also be said to embody the reality of a work's engagement. Otto-Knapp took the title for this project, Questions of Travel, from Bishop's poem of the same name, which has been reprinted for this catalogue. Published on the occasion of Otto-Knapp's exhibitions Questions of Travel (Wien), Kunsthalle Wien Karlsplatz, March 12-May 25, 2014, and Questions of Travel (Fogo Island), Fogo Island Gallery, April 16-August 31, 2014. Copublished with Fogo Islands Arts and Kunsthalle Wien Contributors Elizabeth Bishop, Susan Morgan, Vanessa Joan Müller, Nicolaus Schafhausen
  bishop questions of travel: Poems Elizabeth Bishop, 2015-01-13 A Stirring Collection of Verse Embark on an evocative journey through life and landscape with Poems, an acclaimed anthology by the peerless Elizabeth Bishop. This anthology places the reader at the heart of experience, rendering the grandeur of human existence and our symbiotic relationship with the natural realm, through precision-tuned verse that oscillates between humor and sorrow, acceptance and affliction. Bishop's artistry immerses us in evocative landscapes, from the nostalgic corners of New England, her childhood abode, to the vibrant hues of Brazil and the lush expanses of Florida, her later homes. Rich in geographical motifs, the collection navigates the intertwined tapestry of human life and nature, revealing the poet's intrinsic ability to render chaos into form. A vital presence in twentieth-century literature, this anthology forges an essential window into Bishop's world, offering a comprehensive view into her profound career. Whether you’re new to Bishop's work or a longtime admirer, you’ll discover the unique perspective she brought to English-language poetry, solidifying this anthology as a definitive cornerstone in any poetry collection.
  bishop questions of travel: Elizabeth Bishop Bonnie Costello, 1991 The poet Elizabeth Bishop is said to have a prismatic way of seeing. In this companion to her poetry, making connections between modern art and modern poetry, Bonnie Costello aims to give a sense of the poet and her ways of seeing and writing.
  bishop questions of travel: Poems: North & South Elizabeth Bishop, 1955
  bishop questions of travel: Words in Air Elizabeth Bishop, Robert Lowell, 2020-02-18 Robert Lowell once remarked in a letter to Elizabeth Bishop that you ha[ve] always been my favorite poet and favorite friend. The feeling was mutual. Bishop said that conversation with Lowell left her feeling picked up again to the proper table-land of poetry, and she once begged him, Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days. Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
  bishop questions of travel: Questions of Travel Elizabeth Bishop, 1965-01-01 Nineteen poems, and the story of a Nova Scotia childhood, In the village.
  bishop questions of travel: Geography III Elizabeth Bishop, 2015-01-13 Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained One Art, Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds ‘grand,' but is as quietly convincing as everyday speech.
  bishop questions of travel: Poetry Unbound Pádraig Ó Tuama, 2022-10-06 This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
  bishop questions of travel: Mastery's End Jeffrey Gray, 2005-01-01 Focusing on lyric poetry, Mastery's End looks at important, yet neglected, issues of subjectivity in post-World War II travel literature. Jeffrey Gray departs from related studies in two regards: nearly all recent scholarly books on the literature of travel have dealt with pre-twentieth-century periods, and all are concerned with narrative genres. Gray questions whether the postcolonial theoretical model of travel as mastery, hegemony, and exploitation still applies. In its place he suggests a model of vulnerability, incoherence, and disorientation to reflect the modern destabilizing nature of travel, a process that began with the unprecedented movement of people during and after World War II and has not abated since. What the contemporary discourse concerning displacement, border crossing, and identity needs, says Gray, is a study of that literary genre with the least investment in closure and the least fidelity to ethnic and national continuities. His concern is not only with the psychological challenges to identity but also with travel as a mode of understanding and composition. Following a summary of American critical perspectives on travel from Emerson to the present, Gray discusses how travel, by nature, defamiliarizes and induces heightened awareness. Such phenomena, Gray says, correspond to the tenets of modern poetics: traversing territories, immersing the self in new object worlds, reconstituting the known as unknown. He then devotes a chapter each to four of the past half-century's most celebrated English-speaking, western poets: Elizabeth Bishop, Robert Lowell, John Ashbery, and Derek Walcott. Finally, two multi-poet chapters examine the travel poetry of Allen Ginsberg, Gary Snyder, and Robert Creeley, Lyn Hejinian, Nathaniel Mackey and others.
  bishop questions of travel: Edgar Allan Poe & The Juke-Box Elizabeth Bishop, 2007-03-06 From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts. Edgar Allan Poe & The Juke-Box presents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments from the 1940s; poems about her Canadian childhood; and many other works that heretofore have been quoted almost exclusively in biographical and critical studies. This revelatory and moving selection brings us into the poet's laboratory, showing us the initial provocative images that moved Bishop to begin a poem, illustrating terrain unexplored in the work published during her lifetime. Editor Alice Quinn has also mined the Bishop archives for rich tangential material that illuminates the poet's sources and intentions.
  bishop questions of travel: Elizabeth Bishop at Work Eleanor Cook, 2016-08-15 In her lifetime Elizabeth Bishop was appreciated as a writer’s writer (John Ashbery once called her “the writer’s writer’s writer”). But since her death in 1979 her reputation has grown, and today she is recognized as a major twentieth-century poet. Critics and biographers now habitually praise Bishop’s mastery of her art, but all too often they have little to say about how her poetry does its sublime work—in the ear and in the mind’s eye. Elizabeth Bishop at Work examines Bishop’s art in detail—her diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. It is also a study of the poet working at something, challenging herself to try new things and to push boundaries. Eleanor Cook traces Bishop’s growing confidence and sense of freedom, from her first collection, North & South, to Questions of Travel, in which she fully realized her poetic powers, to Geography III and the breathtaking late poems, which—in individual ways—gather in and extend the poet’s earlier work. Cook shows how Bishop shapes each collection, putting to rest the notion that her published volumes are miscellanies. Elizabeth Bishop at Work is intended for readers and writers as well as teachers. In showing exactly how Bishop’s poems work, Cook suggests how we ourselves might become more attentive readers and better writers. Bishop has been compared to Vermeer, and as with his paintings, so with her poems. They create small worlds where every detail matters.
  bishop questions of travel: Elizabeth Bishop's Brazil Bethany Hicok, 2016-04-29 When the American poet Elizabeth Bishop arrived in Brazil in 1951 at the age of forty, she had not planned to stay, but her love affair with the Brazilian aristocrat Lota de Macedo Soares and with the country itself set her on another course, and Brazil became her home for nearly two decades. In this groundbreaking new study, Bethany Hicok offers Bishop’s readers the most comprehensive study to date on the transformative impact of Brazil on the poet’s life and art. Based on extensive archival research and travel, Elizabeth Bishop’s Brazil argues that the whole shape of Bishop’s writing career shifted in response to Brazil, taking on historical, political, linguistic, and cultural dimensions that would have been inconceivable without her immersion in this vibrant South American culture. Hicok reveals the mid-century Brazil that Bishop encountered--its extremes of wealth and poverty, its spectacular topography, its language, literature, and people--and examines the Brazilian class structures that placed Bishop and Macedo Soares at the center of the country’s political and cultural power brokers. We watch Bishop develop a political poetry of engagement against the backdrop of America’s Cold War policies and Brazil’s political revolutions. Hicok also offers the first comprehensive evaluation of Bishop’s translations of Brazilian writers and their influence on her own work. Drawing on archival sources that include Bishop’s unpublished travel writings and providing provocative new readings of the poetry, Elizabeth Bishop’s Brazil is a long-overdue exploration of a pivotal phase in this great poet’s life and work.
  bishop questions of travel: The More I Owe You Michael Sledge, 2010-05-04 The author of the acclaimed memoir Mother and Son creates an intimate portrait of poet Elizabeth Bishop in this “sensitive and engrossing” debut novel (Publishers Weekly). “A portrait of the artist as a human—a woman of desire, contradiction, and need.” —A. M. Homes, author of The Mistress’s Daughter Artfully drawing from Elizabeth Bishop’s lifelong correspondences and biography, The More I Owe You explores the modernist poet’s intensely private world, including her life in Brazil and her relationship with her lover, the dazzling, aristocratic Lota de Macedo Soares. Despite their seemingly idyllic existence in Soares’s glass house in the jungle, Bishop’s lifelong battle with alcoholism rises to the surface. And as the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950’s Brazil envelop Bishop, she enters a world she never expected to inhabit . . . A vivid imagining of the tumultuous relationship between two brilliant and artistic women, The More I Owe You reveals Elizabeth Bishop to be a literary genius who lived in conflict with herself, both as a writer and as a woman. “Real–life poet Elizabeth Bishop is vividly and imaginatively portrayed in Sledge’s debut novel. . . . Strong and intoxicating.” —Booklist “A gorgeous meditation on enduring love, damage, and what it can be to be happy, for however brief a moment. Bravo, bravo, bravo.” —Stacey D’Erasmo, author of The Sky Below “A beautiful dream of a book. Sumptuously detailed, deeply felt, it is as if Sledge slipped back in time and walked every step with Elizabeth Bishop, breathed every breath with her.” —Alison Smith, author of Name All the Animals
  bishop questions of travel: Elizabeth Bishop: Poems, Prose, and Letters (LOA #180) Elizabeth Bishop, 2008-02-14 This collection of one of Americas great poets contains all the poetry that Bishop published in her lifetime, an extensive selection of unpublished poems and drafts, and all her published poetic translations as well as her essential published prose.
  bishop questions of travel: Paris, 7 A.M. Liza Wieland, 2020-06-09 “A marvel of lost innocence” (O, The Oprah Magazine) that reimagines three life-changing weeks poet Elizabeth Bishop spent in Paris amidst the imminent threat of World War II. June 1937. Elizabeth Bishop, still only a young woman and not yet one of the most influential poets of the 20th century, arrives in France with her college roommates. They are in search of an escape, and inspiration, far from the protective world of Vassar College where they were expected to find an impressive husband and a quiet life. But the world is changing, and as they explore the City of Lights, the larger threats of fascism and occupation are looming. There, they meet a community of upper-crust expatriates who not only bring them along on a life-changing adventure, but also into an underground world of rebellion that will quietly alter the course of Elizabeth’s life forever. Sweeping and stirring, Paris, 7 A.M. imagines 1937—the only year Elizabeth, a meticulous keeper of journals—didn’t fully chronicle—in vivid detail and brings us from Paris to Normandy where Elizabeth becomes involved with a group rescuing Jewish “orphans” and delivering them to convents where they will be baptized as Catholics and saved from the impending horror their parents will face. Both poignant and captivating, Paris, 7 A.M. is an “achingly introspective marvel of lost innocence” (O, The Oprah Magazine) and a beautifully rendered take on the formative years of one of America’s most celebrated female poets.
  bishop questions of travel: Exchanging Hats Elizabeth Bishop, 2011-10-01 Benton presents an introduction and an anthology of Bishop's formal and informal prose on the subject of art and artists, as well as full-colour reproductions of 40 of her pictures, dating from 1937 to 1978.
  bishop questions of travel: Elizabeth Bishop Thomas J. Travisano, 1988 In this book, the first study of Elizabeth Bishop's whole career, Travisano explores her development as an artist. Through sensitive reading of the poems, supported by comparison with Bishop's letters, interviews, stories, memoirs, and critical essays, he defines the traditions that shaped Bishop's introspective early work and the evolution of her later work toward a more public style.
  bishop questions of travel: On Elizabeth Bishop Colm Tóibín, 2025-02-04 A compelling portrait of a beloved poet from one of today's most acclaimed novelists In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín. For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere. Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
  bishop questions of travel: Congressional Record United States. Congress, 1968
  bishop questions of travel: Elizabeth Bishop and the Literary Archive Bethany Hicok, 2020-01-03 In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog, a large collection—more than 3,500 pages of drafts of poems and prose, notebooks, memorabilia, artwork, hundreds of letters to major poets and writers, and thousands of books—now housed at Vassar College. Informed by archival theory and practice, as well as a deep appreciation of Bishop’s poetics, the collection charts new territory for teaching and reading American poetry at the intersection of the institutional archive, literary study, the liberal arts college, and the digital humanities. The fifteen essays in this collection use this archive as a subject, and, for the first time, argue for the critical importance of working with and describing original documents in order to understand the relationship between this most archival of poets and her own archive. This collection features a unique set of interdisciplinary scholars, archivists, translators, and poets, who approach the archive collaboratively and from multiple perspectives. The contributions explore remarkable new acquisitions, such as Bishop’s letters to her psychoanalyst, one of the most detailed psychosexual memoirs of any twentieth century poet and the exuberant correspondence with her final partner, Alice Methfessel, an important series of queer love letters of the 20th century. Lever Press’s digital environment allows the contributors to present some of the visual experience of the archive, such as Bishop’s extraordinary “multi-medial” and “multimodal” notebooks, in order to reveal aspects of the poet’s complex composition process.
  bishop questions of travel: The Western Wind Samantha Harvey, 2018-11-13 Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession. It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t? Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense, The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power. “Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review “Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal “Brings medieval England back to life.” —The Washington Post
  bishop questions of travel: Southernmost Silas House, 2019-06-04 “A novel for our time, a courageous and necessary book.” —Jennifer Haigh, author of Heat and Light In this stunning novel about judgment, courage, heartbreak, and change, author Silas House wrestles with the limits of belief and the infinite ways to love. In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew—and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle. With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he’d turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love. Southernmost is a tender and affecting book, a meditation on love and its consequences.
  bishop questions of travel: One Art Elizabeth Bishop, 2015-01-13 Robert Lowell once remarked, When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century. One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.
  bishop questions of travel: The Collected Prose Elizabeth Bishop, 1984-11 A compilation of fiction and nonfiction includes both previously published and hitherto unpublished stories, such as In the Village, The Housekeeper, and Gwendolyn and nonfiction works discovered among the author's papers after her death.
  bishop questions of travel: The Water Table Philip Gross, 2009 A powerful and ambiguous body of water lies at the heart of these poems, with shoals and channels that change with the forty-foot tide. Philip Gross's meditations move with subtle steps between these shifting grounds and those of the man-made world, the ageing body, and that ever-present mystery, the self. Admirers of his work know each new collection is a new stage; this one marks a crossing new clarity and depth.
  bishop questions of travel: Going the Distance David R. Jarraway, 2003-01-01 This bold new theoretical study explores dissident subjectivity, that is, the struggle for unique authorial identity in American literary discourse that has existed, according to David Jarraway, since the Romantics. From Emerson’s “Experience” remarking upon the “focal distance within the actual horizon of human life” to Toni Morrison’s Nobel Prize address sanctifying the artist’s “sophisticated privileged space,” American literature has continuously recognized a necessary “distance”—the gap between culturally accepted ideas of selfhood and the intractable reality of the self’s never-completed construction in time. Jarraway’s fascinating examination of modernist poets shows that engaging with this artistic space, or “going the distance,” empowers writers and their readers to create and perceive identities that resist the frozen certainties of conventional gender, sexual, and social roles. Employing this theory with grace and precision, Jarraway ranges through the dissident process in Gertrude Stein, the cultural criticism of William Carlos Williams, the deferred racialism of Langston Hughes, the queer perversities of Frank O’Hara, and the spectral lesbian poetics of Elizabeth Bishop. Bolstered further by insights from the pragmatism of William James through the cultural critique of Theodor Adorno to the queer theory of Judith Butler, the author challenges his audience with politically engaged insistence on the life-affirming potentialities of human subjectivity in literature. His passionate conclusion demonstrates the liberating fluidity of self made possible by feminist chartings of modern identity’s depths. Lucidly composed, theoretically sophisticated and up-to-the-minute, Going the Distance painstakingly recovers the dissident American subjective in modernist literary discourse within its fullest cultural context. Jarraway’s readings are a major contribution to poetry scholarship and to cultural studies that will provoke further investigations into the history of subjectivity in American literature as a whole.
  bishop questions of travel: Granta 157: Should We Have Stayed at Home? William Atkins, 2021-11-18 From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger - to acknowledge that one person''s frontier is another's home. Granta 157 is guest-edited by award-winning travel writer William Atkins. It features: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds Carlos Manuel lvarez navigates Cuba's customs system, translated by Frank Wynne Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate crisis, translated by Diane Grosklaus Whitty Francisco Cant and Javier Zamora: a former border guard travels to the US-Mexico border with a former undocumented migrant who crossed the border as a child Jennifer Croft's richly illustrated essay on postcards and graffiti, inspired by Los Angeles Bathsheba Demuth visits a whale-hunting station on the Bering Strait, Russia Sinad Gleeson visits Brazil with Clarice Lispector Kate Harris with the Tlingit people of the Taku River basin, on the border of British Columbia and Alaska Artist Roni Horn on Iceland Emmanuel Iduma returns to Lagos in his late father's footsteps, Nigeria Kapka Kassabova among the gatherers of the ancient Mesta River, Bulgaria Taran Khan with Afghan migrants in Germany and Kabul Jessica J. Lee in the alleyways of Taipei, Taiwan, in search of her mother's home Ben Mauk among the volcanoes of Duterte's Philippines Pascale Petit tracks tigers in Paris and India Photographer James Tylor on the legacy of whaling in Indigenous South Australia, introduced by Dominic Guerrera
  bishop questions of travel: A Stone Boat Andrew Solomon, 2013-06-04 The debut novel, first published nearly twenty years ago, from the National Book Award-winning author of The Noonday Demon: An Atlas of Depression and Far from the Tree: Parents, Children, and the Search for Identity--a luminous and moving evocation of the love between a son and his mother. A finalist for the Los Angeles Times First Fiction prize, A Stone Boat is an achingly beautiful, deeply perceptive story of family, sexuality, and the startling changes wrought by grief, loss, and self-discovery. Harry, an internationally celebrated young concert pianist, travels to Paris to confront his glamorous and formidable mother about her dismay at his homosexuality. Before he can give voice to his hurt and anger, he discovers that she is terminally ill. In an attempt to escape his feelings of guilt and despair over the prospect of her death, he embarks on several intense affairs--one with a longtime female friend--that force him to question his capacity for love, and finally to rediscover it. Part eulogy, part confession, and part soliloquy on forgiveness, A Stone Boat is a luminous evocation of the destructive and regenerative, all-encompassing love between a son and his mother, by America's foremost chronicler of personal and familial resilience.
  bishop questions of travel: Becoming a Poet David Kalstone, 2001 A celebrated study of Elizabeth Bishop's genius, as revealed through her literary friendships
  bishop questions of travel: A Discovery of Witches Deborah Harkness, 2011-02-08 Book one of the New York Times bestselling All Souls series, from the author of The Black Bird Oracle. “A wonderfully imaginative grown-up fantasy with all the magic of Harry Potter and Twilight” (People). Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has created a universe to rival those of Anne Rice, Diana Gabaldon, and Elizabeth Kostova, and she adds a scholar's depth to this riveting tale of magic and suspense. The story continues in book two, Shadow of Night, book three, The Book of Life, and the fourth in the series, Time’s Convert.
  bishop questions of travel: A Second Wind T. D. Jakes, 2017-11-09 While focusing on his core mission to preach the gospel worldwide, T.D. Jakes has seen many good people not spend enough quality time with family, friends, and God. They have gotten so swept up in the daily grind that they have failed to live the rich life that God desires for each of His people. In his new book, Jakes provides readers with strategies that will help them rejuvenate their life and turn their busyness into a business. All readers-not just entrepreneurs-will benefit from Jakes' insightful advice so that they can use the days God has blessed them with wisely and finish each day strong!
  bishop questions of travel: Travelling in the Family Carlos Drummond de Andrade, 1986
  bishop questions of travel: Rare and Commonplace Flowers Carmen L. Oliveira, 2002 The gripping story of Pulitzer Prize-winning poet Elizabeth Bishop and her relationship with the extraordinary Brazilian woman Lota de Macedo Soares.
  bishop questions of travel: Lyric Shame Gillian White, 2014-10-13 Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
  bishop questions of travel: The Lost Dog Michelle de Kretser, 2008-04-28 Tom Loxley, an Indian-Australian professor, is less concerned with finishing his book on Henry James than with finding his dog, who is lost in the Australian bush. Joining his daily hunt is Nelly Zhang, an artist whose husband disappeared mysteriously years before Tom met her. Although Nelly helps him search for his beloved pet, Tom isn't sure if he should trust this new friend. Tom has preoccupations other than his book and Nelly and his missing dog, mainly concerning his mother, who is suffering from the various indignities of old age. He is constantly drawn from the cerebral to the primitive -- by his mother's infirmities, as well as by Nelly's attractions. The Lost Dog makes brilliant use of the conventions of suspense and atmosphere while leading us to see anew the ever-present conflicts between our bodies and our minds, the present and the past, the primal and the civilized.
  bishop questions of travel: Love Unknown Thomas Travisano, 2019-11-05 An illuminating new biography of one of the greatest American poets of the twentieth century, Elizabeth Bishop Love Unknown points movingly to the many relationships that moored Bishop, keeping her together even as life—and her own self-destructive tendencies—threatened to split her apart.” —The Wall Street Journal Elizabeth Bishop's friend James Merrill once observed that Elizabeth had more talent for life—and for poetry—than anyone else I've known. This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters—a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life. Bishop moved through extraordinary mid-twentieth century worlds with relationships among an extensive international array of literati, visual artists, musicians, scholars, and politicians—along with a cosmopolitan gay underground that was then nearly invisible to the dominant culture. Drawing on fresh interviews and newly discovered manuscript materials, Travisano illuminates that the art of losing that Bishop celebrated with such poignant irony in her poem, One Art, perhaps her most famous, was linked in equal part to an art of finding, that Bishop's art and life was devoted to the sort of encounters and epiphanies that so often appear in her work.
  bishop questions of travel: The Quarantine of St. Sebastian House John Pistelli, 2020-05-13 A global pandemic has America under quarantine. In a run-down apartment building, with nowhere to go and nothing to do, five people-a philosopher, an academic, a filmmaker, a sculptor, and a philanthropist-come together, at first only for the pleasure of company. But then they find themselves in a ferocious debate about the obsessions that drive their lives and a ruthless quest to discover the secrets that brought them together. Their passions and betrayals play out against the dangerous backdrop of a state-enforced lockdown and a disease that can strike anyone at any time. The eventually explosive conflicts among these poor artists, underfed intellectuals, and desperate fanatics pose urgent questions of art and inequality, health and freedom, faith and power, love and death. The Quarantine of St. Sebastian House is at once a Platonic dialogue, a poem in prose, and a suspenseful story of mystery and romance: a fresh narrative for a new era.
  bishop questions of travel: Elizabeth Bishop Susan McCabe, 2010-11-01