Bebop Lines You Should Know

Bebop Lines You Should Know: Mastering the Essence of Jazz Improvisation

Introduction:

Dive into the vibrant world of bebop, a revolutionary jazz style that redefined improvisation and musical expression. This isn't just about learning lines; it's about understanding the language of bebop – its melodic architecture, rhythmic vitality, and harmonic sophistication. This comprehensive guide unveils some essential bebop lines, focusing on their underlying structure and providing practical tips to integrate them into your own playing. We'll explore iconic phrases, analyze their construction, and show you how to adapt and extend these concepts for your creative expression. Whether you're a seasoned jazz musician or a curious beginner, this post will unlock the secrets of bebop's melodic power, equipping you to improvise with fluency and originality.


I. Understanding the Bebop Language: Scales, Arpeggios, and Chromaticism

Bebop's distinctive sound stems from its use of extended harmonies and chromatic approaches. Before diving into specific lines, it's crucial to grasp the foundational elements:

Bebop Scales: These scales extend the major and minor scales by adding a major seventh (for major bebop scales) and a major seventh (for minor bebop scales). Mastering these scales is paramount; they provide the melodic backbone for countless bebop phrases. Practicing them in different rhythmic patterns is key to internalizing their feel.

Bebop Arpeggios: Arpeggiated chords form the harmonic foundation of many bebop lines. Instead of simply playing root-third-fifth progressions, bebop often incorporates seventh, ninth, and eleventh chords, creating richer harmonic textures. Learn to connect these arpeggios smoothly, exploring different inversions and rhythmic variations.

Chromaticism: Bebop freely utilizes chromatic passing tones and neighboring notes, adding a sense of tension and release to melodic lines. These chromatic embellishments are not merely accidental; they are carefully chosen to enhance the melodic contour and harmonic movement. Understanding how and where to effectively utilize chromaticism is crucial for creating expressive bebop solos.

II. Essential Bebop Lines: Dissecting the Classics

Let's examine several key bebop lines, breaking them down to understand their construction and underlying principles:

The "Minor Blues" Line: This common phrase often starts on the minor third of the blues scale, incorporating characteristic blues licks and bends. It emphasizes the flattened third and seventh, creating a distinctive bluesy feel.

The "Major 7th Arpeggio Line": This line focuses on ascending and descending major seventh arpeggios, often embellished with passing tones and chromatic approaches. It showcases the bright and major character of bebop.

The "Chromatic Approach Line": This line uses chromaticism to create a sense of anticipation and resolution. The phrases often approach target notes from a half step below, creating a subtle tension before resolving to the chord tone.

The "Triadic Line": This line uses arpeggiated triads, connecting them with passing tones and alterations. This demonstrates the use of triad movement in a bebop context.


III. Applying and Expanding Bebop Lines: Developing Your Own Style

Memorizing lines is only the first step. The real power lies in internalizing the principles behind these lines and applying them to your own improvisation. Here are some suggestions:

Transposition: Practice these lines in different keys to develop your ear and fluidity across the fretboard or keyboard.

Rhythmic Variation: Experiment with different rhythmic patterns, altering the phrasing and feel of the lines.

Harmonic Application: Learn to apply these lines over different chord changes, adapting them to fit the harmonic context.

Melodic Variation: Modify the original lines by adding or subtracting notes, altering the rhythm, or substituting certain tones for chromatic options. This process allows you to create your own unique variations.

Connecting Lines: Learn to smoothly connect these different lines together creating longer, more coherent improvisations. This involves understanding how the phrases' melodic and harmonic direction relates to the underlying chord changes.

IV. Listening and Learning: The Importance of Immersion

The best way to truly master bebop lines is through active listening. Immerse yourself in the music of bebop giants like Charlie Parker, Dizzy Gillespie, Bud Powell, and Miles Davis. Pay close attention to their phrasing, rhythmic nuances, and harmonic choices. Transcribing solos can be incredibly valuable in deepening your understanding of bebop's melodic language.

V. Conclusion:

Mastering bebop isn't just about memorizing lines; it's about internalizing the underlying principles of the style – its scales, arpeggios, rhythmic vitality, and harmonic sophistication. Through diligent practice, active listening, and creative adaptation, you can unlock the immense expressive potential of bebop and develop your own unique voice within this vibrant musical tradition.


Article Outline: "Bebop Lines You Should Know"

Introduction: Hook the reader and provide an overview of the post's content.
Chapter 1: Understanding the Bebop Language: Explain bebop scales, arpeggios, and chromaticism.
Chapter 2: Essential Bebop Lines: Analyze several classic bebop lines and their construction.
Chapter 3: Applying and Expanding Bebop Lines: Discuss how to adapt and develop your own style.
Chapter 4: Listening and Learning: Emphasize the importance of immersion and transcription.
Conclusion: Summarize key takeaways and encourage further exploration.


(The detailed explanation of each chapter is provided above in the main article.)


FAQs

1. What are the key differences between standard jazz scales and bebop scales? Bebop scales add a major 7th to major and minor scales, creating a richer, more extended sound.

2. How can I practice bebop lines effectively? Practice slowly, focusing on accuracy and articulation. Gradually increase tempo and incorporate rhythmic variations.

3. Are there any resources for transcribing bebop solos? Yes, there are many transcriptions available online and in books. Websites and YouTube channels dedicated to jazz education are great places to start.

4. What is the role of chromaticism in bebop lines? Chromaticism adds tension and release, creating melodic interest and harmonic movement.

5. How can I apply bebop lines over different chord changes? Understand the underlying harmony and adapt the lines to fit the chord progression.

6. What are some common rhythmic patterns used in bebop? Swing feel, triplets, and syncopation are essential rhythmic elements.

7. Which bebop musicians should I listen to? Charlie Parker, Dizzy Gillespie, Bud Powell, and Miles Davis are excellent starting points.

8. Can beginners learn bebop lines? Absolutely! Start with simpler lines and gradually work your way up to more complex phrases.

9. How long does it take to master bebop lines? It takes dedication and consistent practice. There's no set timeframe; progress depends on individual effort and musical background.


Related Articles:

1. The Ultimate Guide to Jazz Improvisation: A comprehensive overview of jazz improvisation techniques.
2. Mastering the Blues Scale in Jazz: Exploring the blues scale and its application in jazz improvisation.
3. Understanding Jazz Harmony: A Beginner's Guide: An introduction to basic jazz harmony concepts.
4. Transcribing Jazz Solos: A Step-by-Step Guide: Techniques and tips for transcribing solos.
5. Bebop Harmony: Beyond the Basics: Delving into more advanced harmonic concepts in bebop.
6. Charlie Parker's Iconic Bebop Solos: An Analysis: In-depth analysis of Parker's influential solos.
7. Dizzy Gillespie's Innovative Approach to Bebop: Exploring Gillespie's unique contribution to bebop.
8. The Rhythmic Foundations of Bebop: Focus on rhythmic elements and their impact.
9. Developing Your Jazz Ear: Tips and Techniques: Exercises and techniques for improving musical listening skills.


  bebop lines you should know: Bebop Guitar Joseph Weidlich, Charlie Parker, 2008-07-01 Guitarskole for jazzguitar baseret på Charlie Parkers soli
  bebop lines you should know: How to Play Bebop, Volume 1 David Baker, 2005-05-03 A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
  bebop lines you should know: Modern Jazz Guitar Concepts JENS. LARSEN, Joseph Alexander, 2018-09-22 Learn modern jazz guitar and theory with virtuoso Jens Larsen
  bebop lines you should know: Connecting Chords with Linear Harmony , 1996-05-01 (Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
  bebop lines you should know: Charlie Parker for Guitar (Songbook) Mark Voelpel, Charlie Parker, 2001-06-01 (Guitar Educational). This fascinating new book will let you explore the music of one of the 20th century's most influential musicians. For the first time ever, saxophonist Charlie Parker's legendary heads and improvised solos have been meticulously adapted for the guitar in standard notation and tablature. Includes these Parker classics complete with detailed performance notes: Anthropology * Au Privave * Billie's Bounce (Bill's Bounce) * Bloomdido * Blues (Fast) * Blues for Alice * Cheryl * Confirmation * Donna Lee * K.C. Blues * Kim * Ko Ko * Moose the Mooche * Now's the Time * Ornithology * Parker's Mood * Scrapple from the Apple * Yardbird Suite.
  bebop lines you should know: Joe Pass Guitar Style Joe Pass, 2010-10-07 This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.
  bebop lines you should know: Bebop Bass Harold Miller, Alfred Publishing, 1994-09-01 This is a collection of bass lines and solo choruses created by several great jazz bassists who played in renowned bands with Charlie Parker, Miles Davis, Sonny Rollins and others. For electric bass or double bass.
  bebop lines you should know: The BB Jazz Standards Progressions Book Vol. I mDecks Music, 2018-12-16 (Fake Book). Perfect Binding Edition.This unprecedented, revolutionary collection of jazz standards progressions includes all harmonic progressions with full harmonic analysis, chords, chord-scales and arrows & brackets analysis.Every Jazz Standard analysis was hand-made by well-versed jazz musicians. Every function, chord-scale, modulation and pivot-chord was carefully chosen to create the best possible harmonic interpretation of the progression.All double-page songs are presented side-by-side, so no flipping through pages is necessary.Available for Concert, Bb & Eb Instruments.Volume I has 291 songs including All Blues * Autumn Leaves * All of Me * Blue Trane * Body and Soul * Desafinado * Donna Lee * Girl From Ipanema * It Don't Mean a Thing * Like Someone in Love * Misty * Moment's Notice * My Favorite Things * Prelude to a Kiss * Stella By Starlight * Wave * and hundreds more!
  bebop lines you should know: Personalizing Jazz Vocabulary Davy Mooney, 2019-07-29 This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
  bebop lines you should know: Forward Motion Hal Galper, 2011-01-12 The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!
  bebop lines you should know: Target and Approach Tones Joe Riposo, 2015-08 Learn the secret to playing long, flowing musical lines that move from one chord change to the other in a smooth, seamless manner. This book explains approach tones (a tone or series of tones leading to a chord tone of the next chord---usually by a whole or half step) and target tones (tones that resolve your phrases and outline harmony). All great jazz players use this technique to create forward motion, tension / release, and play musical solos that sound right.
  bebop lines you should know: Essential Jazz Lines: The Style of Charlie Parker, Guitar Edition Corey Christiansen, 2015-12-04 Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie's style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. to facilitate proficiency in all twelve keys, each section of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented, further ensuring their mastery.Also available in Japanese from ATN, Inc.
  bebop lines you should know: Improvising Without Scales Carl Verheyen, 2011-01-24 In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
  bebop lines you should know: Linear Expressions Pat Martino, 1989-05 (Stylistic Method). Legendary guitarist Pat Martino shares his personal formula for chord conversions with you. This uniquely simple system allows you to think melody, not theory. Amply illustrated with some of Pat's favorite lines.
  bebop lines you should know: Easy Easy Bebop D. N. Rhythm, 2016-08-01 For years people have asked me to put what I showed them into a book. This book is my contribution to music education. This concept opens up many possibilities of phrasing that develop and flow easily. This concept was developed while living, playing and tutoring in New York City. Bebop licks, lines and phrases are still used in most of today's different forms of music. In this book you'll find licks and phrases you can use for Soul, Funk, Hip Hop Jazz, Cool Jazz, Smooth Jazz and easy Bebop tunes.This book uses words to help give jazz notation easy to remember sound qualities. Just as the famous Cry me a river jazz lick is used to teach a specific bebop lick, this book has many useful jazz licks.Basic Example,Notes = C D E GNumbers = 1 2 3 5Easy to remember words,Words = Play some be - bopNumbers = 1 2 3 5The above example uses the simple first 4 notes of the pentatonic scale to show the notes to words approach. This book uses many of the typical scales used in music. These scales become less simple and more musical in edited and inverted form. Most of the music we hear and play use the same scales and notes. It's usually the syncopation of the rhythm and arrangement of the notes that makes the different styles of music. This book has edited down the scales to the licks, lines and phrases used from BEBOP to FUNK, HIP HOP, NEW JACK SWING, COOL and SMOOTH JAZZ. Most of today's music still has a huge bebop influence, so first think simple bebop when reading the notes and words in this book. Once the sounds are in your ear, they'll come out naturally in other styles of music. Just follow the rhythm of the style of music you're playing. Listen to a drummer and follow his accents and you can usually play a variation of what you like to play. Written music is a good tool to show musicians the notes. Words are used to express the feeling of the music. Rhythm provides the groove and pulse of the music. Take time and try all of the examples in this book. Say the words and play the notes. Find the ones that flow freely from your instrument. This is not a technical struggle. Have fun.This book is my contribution to the Wonderful world of jazz.
  bebop lines you should know: Bebop Thomas Owens, 1996-05-23 When bebop was new, writes Thomas Owens, many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music. For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians. In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands. In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!' In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music.
  bebop lines you should know: 19th Annual Computer Security Applications Conference (ACSAC '03). Franz Abt, 1992
  bebop lines you should know: Stan Getz - Omnibook Stan Getz, 2017-03-01 (Jazz Transcriptions). 54 Getz songs transcribed exactly from his recorded solos, with solo analysis sections and a complete discography. Includes: All the Things You Are * Autumn Leaves * Billie's Bounce (Bill's Bounce) * Blue Skies * Come Rain or Come Shine * Con Alma * Desafinado * Funkallero * Garota De Ipanema * I Remember You * Night and Day * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Pennies from Heaven * Quiet Nights of Quiet Stars (Corcovado) * Stella by Starlight * The Way You Look Tonight * Where or When * Yardbird Suite * and more.
  bebop lines you should know: Advanced Jazz Guitar Concepts Jens Larsen, Joseph Alexander, 2019-07-12 In Advanced Jazz Guitar Techniques jazz guitar virtuoso Jens Larsen provides more deep insights into the techniques and theory of contemporary jazz guitar. You'll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians - such as effective soloing with triad pairs, applying quartal harmony, how and when to use altered scales, and much more! Master the advanced guitar techniques and melodic concepts you've heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. Jens Larsen gets to the heart of modern jazz guitar playing to focus on the techniques and theory that will set your playing apart from the crowd. His new jazz guitar book teaches how to create quartal arpeggio licks that combine the old-school cool jazz vocabulary of McCoy Tyner and John Coltrane with the modern sounds of Gilad Hekselman, Jonathan Kriesberg and Mike Moreno.
  bebop lines you should know: Complete Book of Jazz Guitar Lines & Phrases Sid Jacobs, 2011-02-09 An important addition to the improvising jazz guitarist's library, this thoughtful blend of text and musical examples focuses on the vocabulary of modern jazz and some of the applications of modern harmony. with examples written in standard notation and tablature, Jacobs offers instruction on bebop style phrases, playing fourths, inside-outside playing, pentatonic, whole-tone and symmetrical scales, slash chords, polychords, hip lines, fingerings and much more. the companion CD presents the material in the text played with chord accompaniment.
  bebop lines you should know: Joe Pass Chord Solos Joe Pass, 2005-05-03 The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.
  bebop lines you should know: Sonny Rollins Omnibook for C Instruments Sonny Rollins, 2019-09-01 (Jazz Transcriptions). The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin * All the Things You Are * Almost like Being in Love * Bouncing with Bud * Doxy * Ev'ry Time We Say Goodbye * I'll Remember April * Just in Time * Namely You * Oleo * On a Slow Boat to China * St. Thomas * Solid * Sonnymoon for Two * Vierd Blues * Woodyn' You * and more.
  bebop lines you should know: Ulf Wakenius' Bebop Saxophone Licks for Jazz Guitar Ulf Wakenius, Tim Pettingale, Joseph Alexander, 2021-06-16 Unlock the Secrets of Bebop Saxophone Licks for Jazz Guitar Are you struggling to play authentic bebop guitar? The saxophone played a pivotal role in the development of bebop - the music that revolutionised jazz and opened the door to a whole new world of melodic improvisation. To be a truly authentic bebop guitarist, it's essential that you learn the language of the pioneering jazz saxophonists. Ulf Wakenius is a jazz guitar legend who played with Oscar Peterson for an entire decade In this book, Ulf presents a unique bebop guitar workout as he shows how jazz guitarists can learn and apply the language of five legendary saxophonists to create burning licks and solos. Far more than a lick book - this is the most practical bebop masterclass you can buy. A Deep Dive into the Bebop Saxophone Language of the Masters - All Written and Notated for Jazz Guitar You'll learn the secrets of 5 iconic bebop saxophone innovators, along with hundreds of licks, phrases, solos and ways of thinking to break away from clichéd guitar licks. You'll master the jazz saxophone language of - Charlie Parker - one of the original innovators of bebop - Stan Getz - Getz was a master of bebop along with the cool and Latin styles - Sonny Rollins - one of the most powerful and creative voices of modern jazz - Ben Webster - a master craftsman whose understated style belied incredible harmonic knowledge - Cannonball Adderley - captured during his time playing on Miles' Kind of Blue As well as learning hundreds of great bebop licks for guitar, you'll get a detailed analysis of each player's style to understand the thinking behind their licks. What You'll Learn This book teaches the central concepts of the bebop approach and shows hundreds of ways to apply these ideas. - Over 100 authentic jazz saxophone licks written for guitar - How to create lines with magical chromatic notes - How to use enclosures, sequences and approach note concepts - Instant arpeggio substitution concepts and applications - Exciting 7b9, altered dominant, and tritone substitution licks - Melodic side-steps and creative ways to add tension - Must-know bebop arpeggio substitution tricks A Masterclass in Jazz Guitar Phrasing As well as building your jazz vocabulary, you'll also learn perfect phrasing by mimicking the approach of the jazz sax masters. It's not enough to know the right notes, it's essential to play them musically.
  bebop lines you should know: Jazz Licks BopLand, 2014-10 Jazz Licks: Bass Clef Version is designed to build and extend the melodic vocabulary of improvising musicians. The volume contains over 1500 jazz licks in standard notation for the most popular chord progressions available in all keys. In addition to the essential 2-5-1 and 1-6-2-5 chord progressions, there provided a long list of tunes which includes All The Things You Are, The Days Of Wine And Roses, My Funny Valentine, Someday My Prince Will Come, Stella By Starlight, Take Five, and many more. The book is equally useful for both students and professional musicians. Prepared with love, Jazz Licks can be used as a dictionary of the language of bebop, as a source of beautiful melodic ideas, or as an exercise book for you to play wonderful music.
  bebop lines you should know: Patterns for Jazz Jerry Coker, 1970
  bebop lines you should know: How to Play Bebop, Volume 2 David Baker, 2005-05-03 A three-volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
  bebop lines you should know: Extended Scale Playing for Guitar Joe Puma, 1993-08 (Guitar). The sliding first finger technique presented in this book will give players a new and broader outlook on the guitar. This book explores a variety of scales - major, minor, half-tone/whole-tone - and includes an introduction.
  bebop lines you should know: Voicing Modes Noel Johnston, 2019-03-04 Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of pivot voicings instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
  bebop lines you should know: 1001 Jazz Licks (Music Instruction) , 2000-05-01 (Guitar Educational). This book presents 1,001 melodic gems played over dozens of the most important chord progressions heard in jazz. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights.
  bebop lines you should know: Targeting Jason Klobnak, 2011-05
  bebop lines you should know: Blood Meridian Cormac McCarthy, 2010-08-11 25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
  bebop lines you should know: Insights In Jazz (e-book) John A. Elliott,
  bebop lines you should know: Cannonball Adderley - Omnibook for E-flat Instruments , 2016-01-01 (Jazz Transcriptions). Nearly 50 of Julian Cannonball Adderley's recorded solos transcribed exactly for E-flat instruments, including: Blue Funk * Cannonball * Easy to Love (You'd Be So Easy to Love) * Fiddler on the Roof * I Remember You * Love for Sale * Milestones * Oleo * On Green Dolphin Street * People Will Say We're in Love * So What * Somethin' Else * Stardust * Straight No Chaser * Things Are Getting Better * What Is This Thing Called Love? * Who Cares? (So Long As You Care for Me) * You Got It * and many more.
  bebop lines you should know: Jazz Bebop Blues Guitar Tim Pettingale, 2018-06-28 Learn jazz blues guitar in the style of Wes Montgomery
  bebop lines you should know: Ulf Wakenius' Oscar Peterson Licks for Jazz Guitar Ulf Wakenius, Tim Pettingale, Joseph Alexander, 2020-08-17
  bebop lines you should know: The Guitarist's Introduction to Jazz Randy Vincent, 2019-02-19 This book is for guitarists who are new to jazz, but not beginners on guitar.--page 3.
  bebop lines you should know: Martin Taylor Beyond Chord Melody Martin Taylor, Joseph Alexander, 2018-10-11 Beyond Chord Melody with Martin Taylor MBE condenses over 40 years of playing expertise and insight into this beautiful jazz guitar book. Learn from the internationally acclaimed master of jazz chord melody guitar as he guides you through his 7-step method to creating your own guitar arrangements. Includes free audio and bonus video lessons
  bebop lines you should know: Jamey Aebersold Jazz -- The II/V7/I Progression, Vol 3: The Most Important Musical Sequence in Jazz!, Book & 2 CDs [With CD (Audio)] Jamey Aebersold, 2015-02 Now with a bonus second CD that contains individual ii/V7/I tracks for each major key (17 new practice tracks). The most important musical sequence in modern jazz Contains all the needed scales and chords to each CD track and all are written in the staff. Contains 120 written patterns (transposed for all instruments) and three full pages of piano voicings that correspond to the CD. Contains a Scale Syllabus which allows you to find and use various substitute scales---just like professional musicians. The CD contains four tracks of Jamey playing exercises in a call and response fashion over an extended ii/V7/I progression that stays in one key at a comfortable tempo. Allows you to practice major, minor, dom. 7th, diminished, whole tone, half-diminished, Lydian, and dim. whole tone scales and chords. Beginning/Intermediate level. Suggested prerequisites: Volumes 1 and 2. Titles: ii/V7/I All Major Keys * G Minor Blues * Bebop Tune * V7+9/I All Keys * ii/V7/I in Three Keys * F Blues with 8-Bar Bridge * II/V7 Random Progressions * ii /V7+9/I All Minor Keys.
  bebop lines you should know: Essential Voicings for Jazz Piano Vol.2 Mdecks Music, 2021-09-06 Have instant access to the complete online piano course with video lessons, workouts and jazz standard demos. This is volume 2, dedicated to minor key, walking bass lines and comping rhythms. Learn the most effective 4-note rootless voicings for chords found in the Jazz Standards repertoire. Every voicing in this piano course is a 4-note rootless voicing in closed position. There's a lesson and a 5-minute workout for each key. Practice and learn this essential set of voicings and take your playing to the next level. Includes complete charts with Piano Solos using 4-note rootless voicings on the left hand.
  bebop lines you should know: Patterns for Improvisation Oliver Nelson, 2016-02 One of the world's most popular patterns books, many jazz greats have fond memories of practicing from this great resource! It features an exhaustive collection of improvisational jazz patterns in various meters and feels. Comments and suggestions are included by the author---a legendary composer, arranger, conductor, and instrumentalist. This is a very popular book because it helps spell out some of the basic building blocks of the jazz language. It is regarded by many jazz teachers as one of the essential texts for their students.