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Disgraced Comedians Are Looking for a Second Chance: Redemption and Recovery in the Comedy World
Introduction:
The world of comedy thrives on pushing boundaries, but sometimes those boundaries are crossed, resulting in scandal and the subsequent downfall of beloved performers. The question then becomes: do disgraced comedians deserve a second chance? This article delves into the complex issue of redemption in the comedy world, exploring the reasons behind comedians' missteps, the challenges they face in rebuilding their careers, and the potential for genuine rehabilitation. We will examine specific cases, analyze the public's response, and ultimately consider whether forgiveness and a return to the spotlight are earned or simply desired. This comprehensive analysis will provide insight into the human element behind the headlines and the enduring power of humor in the face of adversity.
1. The Fall from Grace: Understanding the Reasons Behind Comedic Scandals
Comedians, often lauded for their sharp wit and observational humor, are also human beings with flaws. Their transgressions vary widely, from offensive jokes that miss the mark spectacularly to serious legal issues involving harassment, assault, or substance abuse. Understanding the root causes is crucial. Sometimes, it's a misguided attempt at edgy humor that backfires dramatically, resulting in a backlash that eclipses the comedian's career. Other times, the behavior stems from deeper-seated personal issues, requiring significant self-reflection and professional help. The pressure to constantly generate fresh material, coupled with the often-intense scrutiny of public life, can contribute to mental health struggles that exacerbate risky behavior. Finally, a lack of accountability and poor judgment can lead to actions that are indefensible and ultimately career-ending.
2. The Public's Reaction: Forgiveness, Cancellation, or Somewhere In Between?
The internet age has amplified the impact of comedic scandals. Social media facilitates swift and often unforgiving judgment, leading to the phenomenon of "cancellation," where a comedian is effectively erased from public consciousness. The public response varies significantly based on the nature of the offense, the comedian's response, and the perceived sincerity of their apology. Some offenses, like racist or sexist jokes, are met with immediate and widespread condemnation, making a comeback incredibly difficult. Others, particularly those stemming from personal struggles, might garner more empathy and a willingness to offer forgiveness. The crucial factor is often the comedian's demonstrable effort towards self-improvement and genuine remorse.
3. The Road to Redemption: Challenges and Strategies for a Comeback
Rebuilding a career after a scandal is a daunting task. It requires more than just an apology; it requires tangible evidence of change. This often involves seeking professional help, engaging in self-reflection, and actively working to repair the damage done. Comedians attempting a comeback might utilize various strategies, including issuing sincere apologies, engaging in community service, and undergoing extensive media training to learn how to navigate future interviews responsibly. Some might focus on smaller, niche audiences before attempting a larger-scale return. The key element is demonstrating a genuine commitment to personal growth and responsible conduct.
4. Successful Comebacks: Case Studies and Lessons Learned
Analyzing successful comebacks offers valuable insights. While complete restoration to pre-scandal fame is rare, some comedians have successfully navigated the treacherous path back to the stage. These cases often involve a lengthy period of self-reflection, a genuine effort to understand the gravity of their mistakes, and a demonstrable shift in their behavior and comedic approach. Examining these successes can illuminate the elements crucial for a successful comeback, including sustained effort, consistent positive behavior, and the willingness to learn from past mistakes.
5. The Ethical Considerations: When is a Second Chance Justified?
The question of whether a disgraced comedian deserves a second chance is deeply ethical and subjective. There's no easy answer. Factors like the severity of the offense, the sincerity of the apology, and the demonstrated commitment to change must be carefully weighed. While the public's opinion plays a significant role, the ultimate decision rests on a complex interplay between individual responsibility, societal expectations, and the potential for genuine rehabilitation.
6. The Future of Comedy and Accountability:
The scrutiny surrounding comedians' behavior reflects a broader cultural shift towards increased accountability. This heightened awareness necessitates a more responsible approach to comedic material and public conduct. Comedy schools and industry organizations can play a pivotal role in educating aspiring and established comedians about ethical considerations, responsible joke-writing, and the importance of accountability. The future of comedy depends on a balance between creative freedom and responsible conduct.
Article Outline: "Disgraced Comedians Are Looking for a Second Chance"
Name: Dr. Anya Sharma, Comedy Ethics Consultant
Outline:
Introduction: The changing landscape of comedy and the challenges of regaining public trust.
Chapter 1: Defining "disgraced" – a spectrum of offenses and their impact.
Chapter 2: Public perception and the power of social media in shaping narratives.
Chapter 3: Strategies for rebuilding a career: apologies, therapy, and community engagement.
Chapter 4: Case studies of successful and unsuccessful comebacks.
Chapter 5: The ethical debate: forgiveness, redemption, and the limits of second chances.
Chapter 6: The role of the comedy community in supporting recovery and accountability.
Chapter 7: The future of comedy: navigating ethical boundaries in a changing world.
Conclusion: The importance of continuous learning and growth in the comedy profession.
(The following sections would then elaborate on each point of the above outline, expanding on the information presented earlier in the main article. This would involve adding approximately 500-750 more words to fully flesh out each chapter outlined above. Due to the word limit, this detailed expansion is omitted here.)
FAQs:
1. What constitutes a "disgraced" comedian? The definition is fluid and depends on the severity and nature of the offense, the public reaction, and the comedian's response.
2. Is cancellation always justified? No, the appropriateness of cancellation is debatable and depends on the specifics of the situation.
3. How can a comedian rebuild their career after a scandal? Through genuine remorse, therapy, community engagement, and a demonstrably changed behavior.
4. What are some examples of successful comebacks? (This would require specific examples, which are omitted here for brevity.)
5. What is the role of the comedy community in supporting recovery? Providing mentorship, resources, and a safe space for growth.
6. How can the comedy industry prevent future scandals? Through ethical training, promoting accountability, and fostering a culture of respect.
7. What is the responsibility of the audience in the process of redemption? To engage in critical thinking, offer thoughtful responses, and avoid contributing to toxic online environments.
8. Does the severity of the offense always determine the possibility of a comeback? No, sincere remorse and demonstrable change can sometimes lead to redemption, even after severe offenses.
9. What is the long-term impact of a scandal on a comedian's career? It varies greatly, but it often involves a significantly altered career trajectory.
Related Articles:
1. The Ethics of Comedy: Navigating Offensive Humor: Explores the fine line between edgy humor and unacceptable content.
2. Cancel Culture and the Comedy World: Analyzes the impact of online outrage and the challenges of public accountability.
3. Mental Health in the Comedy Industry: Examines the pressures faced by comedians and the importance of seeking support.
4. The Power of Apology in Public Life: Discusses the effectiveness of apologies and the factors influencing public acceptance.
5. Rebuilding Trust After a Public Scandal: Provides strategies for individuals seeking to repair their reputation.
6. Comedy and Social Responsibility: Explores the role of comedians in addressing social issues and promoting positive change.
7. The Evolution of Humor: Changing Social Norms and Comedic Sensibilities: Discusses the changing standards of acceptable humor across different eras.
8. Media Training for Comedians: Highlights the importance of media skills in managing public image and navigating difficult situations.
9. The Importance of Accountability in the Entertainment Industry: Examines the wider need for accountability and ethical conduct across all entertainment sectors.
| disgraced comedians are looking for a second chance: Amazing Disgrace Grace Campbell, 2020-10-29 'An outpouring of truth, wit, and beautiful comedic wisdom.' Katherine Ryan 'Such a funny and interesting book.' Sara Pascoe 'Finally my vagina has a voice!' London Hughes 'Powerful, bold, vulnerable, beautiful, hilarious, universal, unique.' Scarlett Curtis ********************************************** For as long as she can remember, Grace Campbell has been told that she doesn't suit her name. But being graceful is no fun anyway. Growing up in a world of privilege and politics, she had a lot to feel confident about. But she was also a record-breaker when it came to feeling shame. Shame about sex, shame about rejection, shame about mental health. But over time, and with a 24 carat gold dose of female friendship, Grace has turned shame into a defiant sense of self. At only 27, Grace has got a lot to learn about being an adult, but she's already got a lot to share about being a disgrace, and how she came to be utterly, disgustingly, disgracefully proud of it. This is the book every young woman should read, and every young man should worry about. |
| disgraced comedians are looking for a second chance: Girl With No Job Claudia Oshry, 2021-01-26 INSTANT NEW YORK TIMES BESTSELLER A laugh-out-loud funny look at pop culture and social media stardom from one of the most popular funemployed millennials today, perfect for fans of Next Level Basic and The Betches. As the creator of the breakout Instagram account @GirlWithNoJob, Claudia Oshry has turned not wanting an ordinary career into a thriving media company and pop culture-focused podcast and morning show. The origins of her pop culture obsessions can be traced back to household debates over boy bands, and her flair for the dramatic to her young emulation of Blair Waldorf. When she started @GirlWithNoJob, Claudia entered that world herself as a social media influencer, sharing her unbelievable—and unbelievably awkward—encounters with some of her favorite A-listers as she navigates her incredible access. Now, in this juicy, behind-the-scenes look at the life of an Instagram sensation, Claudia leaves nothing out as she contemplates staying true to yourself while hustling in today’s digital culture. Sometimes the best lessons are learned the hard way, and her journey hasn’t been without its punch-in-the-face doses of humility. But, like anyone with a relentless desire to be popular, she dusts herself off and finds a new, better way forward. With humor and unique insights, Claudia examines the nature of social media celebrity, the many sides of fandom, and cancel culture. If there’s one thing she knows for sure, she was born thirsty, and she’s here for another round! |
| disgraced comedians are looking for a second chance: Antkind Charlie Kaufman, 2021-07-06 The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit.—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke. |
| disgraced comedians are looking for a second chance: He Used Thought as a Wife Tim Key, 2021-02-18 In March, Tim Key got locked down, found an orange pen and started writing poems. Then he started writing down his conversations. Zoom, phone, yelled heart-to-hearts from kitchen window to pavement. This book is the result. A paperback account of one man's experience of the most peculiar moment in our recent history--Publisher's description. |
| disgraced comedians are looking for a second chance: So You've Been Publicly Shamed Jon Ronson, 2015-03-31 Now a New York Times bestseller and from the author of The Psychopath Test, a captivating and brilliant exploration of one of our world's most underappreciated forces: shame. 'It's about the terror, isn't it?' 'The terror of what?' I said. 'The terror of being found out.' For the past three years, Jon Ronson has travelled the world meeting recipients of high-profile public shamings. The shamed are people like us - people who, say, made a joke on social media that came out badly, or made a mistake at work. Once their transgression is revealed, collective outrage circles with the force of a hurricane and the next thing they know they're being torn apart by an angry mob, jeered at, demonized, sometimes even fired from their job. A great renaissance of public shaming is sweeping our land. Justice has been democratized. The silent majority are getting a voice. But what are we doing with our voice? We are mercilessly finding people's faults. We are defining the boundaries of normality by ruining the lives of those outside it. We are using shame as a form of social control. Simultaneously powerful and hilarious in the way only Jon Ronson can be, So You've Been Publicly Shamed is a deeply honest book about modern life, full of eye-opening truths about the escalating war on human flaws - and the very scary part we all play in it. |
| disgraced comedians are looking for a second chance: Stay Up with Hugo Best Erin Somers, 2020-04-28 **One of Vogue’s Best Books of the Year ** “Incisive, funny, and tinged with melancholy, the timely novel follows two lost but clever souls desperate for connection.” —Entertainment Weekly June Bloom is twenty-nine, broke, and an aspiring comedy writer. Hugo Best is a beloved late-night TV icon and notorious womanizer who invites her to his mansion for Memorial Day weekend. This is the story of their four days together, a “zippy…magnificent…devilishly fun ride” (Vogue). When June Bloom, an assistant on the late-night comedy show, Stay Up with Hugo Best, runs into Hugo himself at an open mic following his unexpected retirement, she finds herself fielding a surprising invitation: Hugo asks June to come to his mansion in Greenwich for the long Memorial Day weekend. “No funny business,” he insists. “Incisive, funny, and tinged with melancholy, this timely novel follows two lost but clever souls desperate for connection” (Entertainment Weekly). June, in need of a job and money, but harboring the remains of a childhood crush on the charming older comedian and former role model, is confident she can handle herself. She accepts. As the weekend unfolds and the enigmatic Hugo gradually reveals appealingly vulnerable facets to his personality, their dynamic proves to be much more complicated and less predictable than June imagined. “A witty and subtle commentary on sex, power, and social politics” (Refinery 29) and “an outstanding comedic debut” (Kirkus Reviews, starred review), Stay Up with Hugo Best announces a gloriously irreverent, bold, and winning new voice in fiction. |
| disgraced comedians are looking for a second chance: Last Girl Before Freeway Leslie Bennetts, 2016-11-15 Named one of 40 Gifts for the Book Lover on Your List, by Good Housekeeping: The definitive book about Joan Rivers' tumultuous, victorious, tragic, hilarious, and fascinating life. Joan Rivers was more than a legendary comedian; she was an icon and a role model to millions, a fearless pioneer who left a legacy of expanded opportunity when she died in 2014. Her life was a dramatic roller coaster of triumphant highs and devastating lows: the suicide of her husband, her feud with Johnny Carson, her estrangement from her daughter, her many plastic surgeries, her ferocious ambition and her massive insecurities. But Rivers' career was also hugely significant in American cultural history, breaking down barriers for her gender and pushing the boundaries of truth-telling for women in public life. A juicy, intimate biography of one of the greatest comedians ever -- a performer whose sixty year career was borne, simply, out of a desire to make people laugh so she could feel loved -- Last Girl Before Freeway delves into the inner workings of a woman who both reflected and redefined the world around her. |
| disgraced comedians are looking for a second chance: Under a Cloud Charles Townsend, 1890 |
| disgraced comedians are looking for a second chance: The Tragic Comedians George Meredith, 1881 |
| disgraced comedians are looking for a second chance: Cruising Utopia José Esteban Muñoz, 2009-11-01 The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a not yet here that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination. |
| disgraced comedians are looking for a second chance: Everything Is Awful Matt Bellassai, 2019-04-02 From the break-out star of BuzzFeed comes a collection of hilariously anguished essays chronicling awful and humiliating moments from his life so far, proving “the mantra of his life and career: being a human is hard work, so you may as well make your story funny when you can” (Bustle). Matt Bellassai has no idea what he’s doing. Well, to be fair, he did become semi-Internet famous by getting drunk at work, making him a socially acceptable—nay—professional alcoholic. He’s got some things figured out. But the rest is all just a terrible, disgusting mess. This is Matt’s book. Just to clarify, though, it is absolutely not a memoir; Matt is far too young to have done anything worth remembering (though he did win an actual People’s Choice Award for his BuzzFeed web series, “Whine About It,” which is pretty good, if you ask his mother). This is also most certainly not a book of advice; he is too woefully ill-prepared for life to offer anything in the way of counsel. Call this a collection of awful moments that led to his grumbling, blundering adulthood—a chronicle of little indignities that, when taken together, amount to a life of hilarious anguish. With keen wit and plenty of self-deprecation, Matt reveals how hard it is to shed his past as the Midwest’s biggest nerd, and how he came out to his friends and family (the closet was a bit messy). Matt also wrestles with the humiliations of adulthood, like giving up on love in New York City, and combating the inner voice that tells him to say aloud all the things the rest of us are smart enough to keep to ourselves. You probably don’t need this book, but let’s be honest—you do. Since you’re already reading, you might as well pull up a chair, grab your glass(es) of wine, and enjoy. |
| disgraced comedians are looking for a second chance: The Cambridge Companion to Roman Comedy Martin T. Dinter, 2019-04-04 Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters. |
| disgraced comedians are looking for a second chance: Rhetoric, Humor, and the Public Sphere Elizabeth Benacka, 2016-11-02 Rhetoric, Humor, and the Public Sphere: From Socrates to Stephen Colbert investigates classical and contemporary understandings of satire, parody, and irony, and how these genres function within a deliberative democracy. Elizabeth Benacka examines the rhetorical history, theorization, and practice of humor spanning from ancient Greece and Rome to the contemporary United States. In particular, this book focuses on the contemporary work of Stephen Colbert and his parody of a conservative media pundit, analyzing how his humor took place in front of an uninitiated audience and ridiculed a variety of problems and controversies threatening American democracy. Ultimately, Benacka emphasizes the importance of humor as a discourse capable of calling forth a group of engaged citizens and a source of civic education in contemporary society. |
| disgraced comedians are looking for a second chance: Walter White Kenneth Robert Janken, 2006 Walter White (1893-1955) was among the nation's preeminent champions of civil rights. With blond hair and blue eyes, he could pass as white even though he identified as African American, and his physical appearance allowed him to go undercover to invest |
| disgraced comedians are looking for a second chance: Frank Leslie's Popular Monthly Frank Leslie, 1881 |
| disgraced comedians are looking for a second chance: Trump Was a Joke Sophia A Mcclennen, 2023-03-24 Written by a scholar of satire and politics, Trump Was a Joke explains why satire is an exceptional foil for absurd political times and why it did a particularly good job of making sense of Trump. Covering a range of comedic interventions, Trump Was a Joke analyzes why political satire is surprisingly effective at keeping us sane when politics is making us crazy. Its goal is to highlight the unique power of political satire to encourage critical thinking, foster civic action, and further rational debate in moments of political hubris and hysteria. The book has been endorsed by Bassem Youssef, who has been referred to as the “Jon Stewart of Egypt,” and Srdja Popovic, author of Blueprint for Revolution, who used satirical activism to bring down Serbian dictator Slobodan Milosevic. With a foreword by award-winning filmmaker, satirist, and activist Michael Moore, this study will be of interest to readers who follow politics and enjoy political comedy and will appeal to the communications, comedy studies, media studies, political science, rhetoric, cultural studies, and American studies markets. |
| disgraced comedians are looking for a second chance: Punch Mark Lemon, Henry Mayhew, Tom Taylor, Shirley Brooks, Francis Cowley Burnand, Owen Seaman, 1897 |
| disgraced comedians are looking for a second chance: Anecdote Library; Being the Largest Collection of Personal and Historic Anecdotes Ever Assembled in a Single Colume .. Editor of the Vocal library, 1834 |
| disgraced comedians are looking for a second chance: From Radio to the Big Screen Hal Erickson, 2014-05-23 There was a time when American popular entertainment referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due. |
| disgraced comedians are looking for a second chance: The Annals of the Edinburgh Stage with an Account of the Rise and Progress of Dramatic Writing in Scotland James C. Dibdin, 1888 |
| disgraced comedians are looking for a second chance: I'm Fine...And Other Lies Whitney Cummings, 2017-10-03 “Whitney Cummings has written a book about being, well, not fine—and what to do when you find yourself with brutal anxiety and a co-dependency disorder; all in her trademark wit, humor, and honesty. This book, however, is fine as hell.”—Sophia Amoruso, author of #Girlboss “The funniest cry for help you'll read this year.”—BJ Novak Well, well, well. Look at you, ogling my book page....I presume if you’re reading this it means you either need more encouragement to buy it or we used to date and you’re trying to figure out if you should sue me or not. Here are all the stories and mistakes I’ve made that were way too embarrassing to tell on stage in front of an actual audience; but thanks to not-so-modern technology, you can read about them here so I don’t have to risk having your judgmental eye contact crush my self-esteem. This book contains some delicious schadenfreude in which I recall such humiliating debacles as breaking my shoulder while trying to impress a guy, coming very close to spending my life in a Guatemalan prison, and having my lacerated ear sewn back on by a deaf guy after losing it in a torrid love affair. In addition to hoarding mortifying situations that’ll make you feel way better about your choices, I’ve also accumulated a lot of knowledge from therapists, psychotherapists, and psychopaths, which can probably help you avoid making the same mistakes I’ve made. Think of this book as everything you’d want from the Internet all in one place, except without the constant distractions of ads, online shopping, and porn. I’m not sure what else to say to say, except that you should buy it if you want to laugh and learn how to stop being crazy. And if we used to date, see you in court. |
| disgraced comedians are looking for a second chance: The New-York Mirror , 1841 |
| disgraced comedians are looking for a second chance: New York Mirror , 1841 |
| disgraced comedians are looking for a second chance: Punch Or The London Charivari , 1841 |
| disgraced comedians are looking for a second chance: American Illustrated Magazine , 1881 |
| disgraced comedians are looking for a second chance: The Four Georges William Makepeace Thackeray, 1891 |
| disgraced comedians are looking for a second chance: The Works of William Makepeace Thackeray: The Four Georges; The English humorists of the eighteenth century William Makepeace Thackeray, 1879 |
| disgraced comedians are looking for a second chance: Roundabout papers William Makepeace Thackeray, 1878 |
| disgraced comedians are looking for a second chance: The Works of William Makepeace Thackeray: Four Georges William Makepeace Thackeray, 1891 |
| disgraced comedians are looking for a second chance: Henry Esmond; The English Humourists; The Four Georges William Makepeace Thackeray, 2020-03-16 Henry Esmond; The English Humourists; The Four Georges by William Makepeace Thackeray. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
| disgraced comedians are looking for a second chance: The Works of William Makepeace Thackeray William Makepeace Thackeray, 1879 |
| disgraced comedians are looking for a second chance: Demorest's Monthly Magazine , 1880 |
| disgraced comedians are looking for a second chance: The Improv Handbook Tom Salinsky, Deborah Frances-White, 2017-10-19 The Improv Handbook is the most comprehensive, smart, helpful and inspiring guide to improv available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes, it features a range of games, interviews, descriptions and exercises that illuminate and illustrate the exciting world of improvised performance. First published in 2008, this second edition features a new foreword by comedian Mike McShane, as well as new exercises on endings, managing blind offers and master-servant games, plus new and expanded interviews with Keith Johnstone, Neil Mullarkey, Jeffrey Sweet and Paul Rogan. The Improv Handbook is a one-stop guide to the exciting world of improvisation. Whether you're a beginner, an expert, or would just love to try it if you weren't too scared, The Improv Handbook will guide you every step of the way. |
| disgraced comedians are looking for a second chance: The Story of Soho Mike Hutton, 2012-03-15 The story of thirty-two years of dramatic change in this fascinating London district. |
| disgraced comedians are looking for a second chance: Padre Pio Pascal Cataneo, 2019-02-05 This collection of inspiring, astonishing, and humorous anecdotes offers a glimpse into the life and miracles of Padre Pio. These personal accounts reveal how he inspired countless conversions through his gifts of bilocation, visions, healing powers, and multilingualism. Written by Pascal Cataneo, a fellow priest and contemporary of Padre Pio, readers are given a unique window into this Capuchin friar’s humility, directness, and humor. By connecting the ordinary with the supernatural, it is shown that the miraculous is possible in this world. |
| disgraced comedians are looking for a second chance: The Itinerant; Or, Memoirs of an Actor ... Samuel William Ryley, 1880 |
| disgraced comedians are looking for a second chance: The Man in the Iron Mask Alexandre Dumas, 2019-01-01 The courageous musketeers—Athos, D'Artagnan, Aramis, and Porthos—return to sword fighting in the final installment of the D'Artagnan Romances. When Aramis visits the Bastille, an infamous French prison, he meets a mysterious man who wears an iron mask and claims to be the King of France's secret twin brother. While France suffers under King Louis XIV's rule, Aramis initiates an elaborate plan to free the prisoner and overthrow the corrupt king with the masked man's help. Will the musketeers survive their most daring adventure yet, filled with nefarious politics, deceitful royals, and clashing loyalties? This is an unabridged English translation of French author Alexandre Dumas's swashbuckling historical novel, which was first published in serial form between 1847 and 1850. |
| disgraced comedians are looking for a second chance: Foot-prints of a letter carrier James Rees, 2014-10-30 Example in this ebook There are few institutions in this or in any other country the history of which is so little known as is that of the post-office. The very name, in the opinion of the masses, is sufficient to enlighten them; and beyond this little or no interest is manifested. Yet the history, if fairly written, would surprise that very portion who consider the name alone an index to its unwritten pages. Indeed, it seems strange that so important a branch of our government should have been so slighted by those who constituted themselves historic writers. Our school-books contain no allusion to it, nor are its officers mentioned with any marks of commendation in any of our national works. And yet there are names identified with this department, both as regards mind, intellect, and character, unequalled by those of any other in the country. Perhaps it is looked upon as being merely an appliance to the wheels of government and not essential to its general movements. Is this so? is the department a mere workshop and its officers and employees simply workers? We have endeavored in this work—perhaps feebly—to place the “post” before our readers as one of the most important branches of the General Government. We have thrown around its social and political history an interest by connecting with it incidents, facts, and local matter more immediately identified with events which have marked our country’s history from its earliest period to that of the present. Much has transpired during all these years to render such a work both instructive and interesting; and although we do not claim for ours any such pretension, yet we may safely term it a pioneer in the cause of our postal history. We have also endeavored, without any aid from the postal department at Washington, to furnish a somewhat desultory history of the post in this country, while at the same time we have given some account of those of other nations. Ours is not a mere statistic history, but one that blends with it a certain amount of information upon every subject more or less connected with it. Aiming at no high literary attainments, or attempting to excel others in language, beauty of sentiment, or construction of sentences, he has written a work in his own style, and in a manner which he flatters himself will be received favorably by the masses. The American language given in its plainest style will be far more appreciated by them than if clothed in the classic garb scholastic and academical tailoring has thrown around it. The primitive style in which our forefathers wrote has been materially changed by the introduction of foreign and learned words. This, it is true, as Blair says, “gives an appearance of elevation and dignity to style;” but often, also, they render it stiff and forced; and, in general, a plain native style, as it is more intelligible to all readers, so, by a proper management of words, “it may be made equally strong and expressive with this Latinized English.” Barren languages may need such assistance, but ours is not one of these. The author is also aware that in the general arrangement of his subject there may seem a want of connection; but, as the postal chain is linked to dates, he may be excused if other portions of the work fly off in tangents. This, however, is owing more to the variety of postal matter introduced than to any neglect on his part to bring them into harmonic action. To be continue in this ebook |
| disgraced comedians are looking for a second chance: Outing , 1888 |
| disgraced comedians are looking for a second chance: Outing Magazine , 1887 |
